Laundry Singapore Style

Carmi's Thematic Photographic theme this week is laundry.

So naturally, I remembered this photo that I took when we were in Singapore. Where else would you hang your laundry if you were living in a high-rise building?

More Poetry Events

At Joanna's book launch (see this post) I was offered a free double pass to a poetry event the following night, called Love Letters in the Margins. Not quite poetry, actually, but a fusion of poetry and music involving three bands, each with a poet appearing with the band.

I always accept free tickets! I planned to take my daughter, a contemporary of Marissa's, but she had to work, and the first few friends I tried were unavailable, so I gave up and decided to go alone. Which may have been just as well, because when I reached the ticket office at the Telstraclear Club where my name should have been on a list, they knew nothing about it. Since it was just me, however, they let me in for free anyway.

I thought I was entering what was basically a tent in Cathedral Square, but once inside I was astonished by the opulent surroundings - it was a polygonal space with plush upholstered wooden booths round the outside, and further polished wood chairs and tables on the floor in the middle. There was a bar and restauraunt service. The ceiling was draped red fabric with black scroll-like designs appliqued on - all very attractive.

The poets appearing with the bands were young local poets Marissa Johnpillai, Ciaran Fox and Ben Brown. I don't know their ages apart from Marissa, but their energy and style is what leads me to describe them as "young" as opposed to the more middle-aged and sedate sensibilities of many of the poets who read at the events I usually go to. Marissa read many of the same poems that she read at her book launch earlier in the week. What I like about Marissa's poetry is that it is positive and celebratory with none of the "angst" that often permeates the work of teens and twenty-somethings. There is a lot of food in her poems, and sex. It touches on her life both in Sri Lanka and in New Zealand, so has a touch of the exotic to it - but it also made me a little homesick for the Cuba St fountain in Wellington where I grew up! (Marissa spent a year studying for her Master's in Creative Writing in Wellington).

The main difficulty with Marissa's reading was that I felt the band, Le Mot Cafe, were a touch loud in places, making it hard to hear her words. It did help that I had heard the poems and bought her chapbook at her book launch.

The other bands weren't quite so loud. I'm not going to say much about the other poets, although I enjoyed their readings, because I haven't had the benefit of being able to read the poems before or after the event (perhaps I should have bought the CD).

I found the collaboration interesting. At her book launch, Marissa had also performed with backing music - the rather quieter tones of a flute. Some of her poetry, although far from all of it, falls a little flat on the page, and I feel it is definitely conceived as music as well as poetry - the intonation, pacing, and so on is integral to its success. Most of her poetry though is just as successful on the page as in performance. I did feel that in all three cases on Saturday night, the poets had written their work separately from the band, and each piece as performed seemed to be a fusion of first a poem read to music followed by a song which originally had no relation to the poem. Still, it seemed to work.

I've known Marissa for ages since she was a contemporary with my daughters at the Christchurch School for Young Writers, an organisation which runs Saturday morning, after school and correspondence writing classes for primary and high school age students. And this morning I caught up with another their fellow students when I saw her face in the newspaper - Jenna had been blogging as Tatiana Anymodel at Jezebel - here is her "coming out" post - it's a great read! And I have to say that the School for Young Writers was a great place (and still is) for nurturing young talented writers - I expect to hear more of both Marissa and Jenna in the future.

Where's the Pied Piper When You Need Him?

For the last few weeks we have been battling unwanted furry visitors. They consumed a whole bag of blood and bone (garden fertiliser) in the garage, which was bad enough, but they have also managed to get into the house. We had our fruit and vegetables in racks of wire baskets and it has been interesting to find out their preferences - for instance, kumara (sweet potato) are favoured but not regular potatoes, carrots, apples and bananas are all tasty to rodents apparently but the oranges and onions were untouched. They also consumed all the seeds from the middle of the cut pumpkin but not the pumpkin itself. They have the ability to suck out the tasty kernel of the pumpkin seeds but scatter the dried empty husks all over the floor.

And no, I am not talking about mice, the tooth marks are definitely bigger. At first I thought it was mice, but the mouse trap was triggered and flipped over, empty. We put out rat baits and they took all the ones in the garage but haven't touched the inside ones. We have now put all food items inside plastic containers with lids but still haven't managed to get rid of the visitors.

So, this morning I went into the downstairs bathroom to do my teeth and hair before leaving for work, and found big rodent tooth marks in the cake of soap. (Aaagh!!!)

My daughter thinks we need a cat. Given the size of her last vet's bill, I think the electronic rodent scarer advertised for $150 would be cheaper. If it works.

(More on local poetry events coming soon).

Montana Poetry Day

Americans have a National Poetry Month. New Zealand poets, being far less ambitious, have a National Poetry Day. (The title Montana Poetry Day has nothing to do with the state of Montana, but the fact that it is sponsored by Montana wines).

Actually though, there are so many poetry events coming up here in Christchurch that it feels as if we are having National Poetry Month after all.

We kicked off with the launch of Marissa Johnpillai's chapbook on Wednesday, and on Friday - the day itself - Joanna Preston launched her new book, The Summer King. Joanna was lucky - and hardworking - enough to win the inaugural Kathleen Grattan award, which comes with a prize of $16,000 for a book length manuscript, and publication of the book by the Otago University Press. I've had the pleasure of hearing many poems in the book before at local poetry readings, and it was a pleasure to hear some of them again, and to take the book home to enjoy them at leisure later. Joanna's poems are never ordinary - she has a way of picking subjects which are slightly offbeat, and illuminating them with precise and perfect words.

Besides launching the book, she planned a wonderful event by inviting four other poets to share the evening. Each of them spoke about a poem by another poet that was a "touchstone" poem for them, and then read some of their own poems. I'm in awe of the way that each poet was able to speak intelligently and at length about poems and poets that had influenced them. I'm inclined to think that if asked, it would take me a lot of thought to get past "well, umm... because I like it..."

I'm fascinated too, by the range of venues local poets choose for their book launches. This was one of the more congenial - upstairs at local bar, The Twisted Hop, in a space that was just small enough to be friendly and just large enough not to be too crowded.

If you'd like to buy Joanna's book, do visit her blog - click on the link above - I'm sure she'd be delighted to tell you how you can buy a copy.

(Joanna - I thought I would find it on Fishpond, but their website tells me none of their regular distributors have stock available - I'm sure they would be happy to stock it if you let them know how!)

Here comes the Sun

It hasn't been a great winter here so far. Newspaper reports have confirmed what I personally felt, that it has been colder than average with far fewer sunshine hours. Not cold as in heavy snowfalls and sparkling winter white, but cold as in uniformly grey and depressing.

Hence it was a great relief that the sun shone all weekend. I was too congested, and coughing too much, to go anywhere, but I spent my time moving round the house like a cat, curling up in any puddle of sunlight I could find.

I did venture into the garden very briefly on Friday afternoon (having left work early due to my state of health) to photograph the snowdrops which have just emerged. Next it will be dwarf daffodils, and magnolia buds. Spring may be a way off, but it is definitely on the way.

Time for a Poem

I haven't been writing new poems for the Readwritepoem prompts in the last few weeks - mostly because I have been sorting and revising poems for my poetry group's forthcoming book.

We will have about fifteen pages or so each to fill and I thought over the last few years I had easily written enough good poems to fill the pages. It turns out that is partly true, but choosing poems that are not only good poems but that fit well together is harder than I thought. When we did our first book I didn't have too much of a problem arranging my poems in a sequence that made sense. I think I left out one poem that didn't seem to fit with the others. This time, I have more of a range. Partly, this is because of prompts from sites like Readwritepoem. Though I enjoy writing to prompts as they make me expand my range and stop me from boring myself, I am left wondering how important it is to have a sort of "narrative arc" in a poetry book. After all, I find that I often dip in and out of poetry books and don't necessarily read the contents in order. I still have a couple of months to sort things out, so no doubt I will resolve it in time.

In the meantime, here is a poem that I haven't shared on this blog before. A slightly different version is found online here, along with a couple more of my poems.

This poem arose after I read the introduction to Best American Poems 2006, in which Billy Collins claimed that he couldn't bear to read a poem that contained the word "cicada" - it stopped him in his tracks. About the same time, I saw a nature documentary on TV which included the amazing phenomenon of the periodic cicada which emerges en masse every 17 years. Of course, then I just had to write a cicada poem. I assumed - but may be wrong - that Collins's objection was to the sentimental way in which cicadas are often used in poems, so I tried to write a non-sentimental cicada poem.

North American Periodic Cicada

It will happen like this:
after the struggle, he will leave in haste,
return with a spade and dig
a shallow grave in the quiet woods.
The victim, who lived alone,
will not be missed until the neighbour
sees the overflowing mailbox,
knocks on the door a week later.
The assailant is long gone.

Or, it will happen like this:
he will dig a shallow grave.
Too shallow. A boy will walk with his dog
through these woods. The dog will sniff
the freshly dug earth, paw at it,
uncover what has been done.
The assailant, blood on his shirt,
will be stopped at a police roadblock
crossing into the next state.

No, this is what will happen.
There is a struggle in the woods.
Later that night a phenomenon that comes round
once every seventeen years -
a horde of insects crawl from the ground,
make their way around the corpse, through
the soft earth, up the trunks of trees. They split
their shells, emerge soft bodied.
Billions of creatures harden on branches
until by daytime they take to the air.
Before the boy comes by with his curious dog,
empty shells will rain honey-coloured,
covering the ground for miles.
The woods crunch underfoot. The boy
will not venture far in, the dog
will not spot the soft earth.
There will be no manhunt until
the assailant is several states away,
living a new life. And if he keeps his secret
the cicadas, deep in the earth for another seventeen years,
will not reveal it for him.

*********************************

More fresh poetry this week at Readwritepoem here.

Thematic Photographic: Distant

Jenny Diski, in her book On Trying to Keep Still describes among other things a visit to New Zealand to appear at a book festival. She says that people kept saying to her that in New Zealand we are such a long way away, to which her reaction was that as far as she could tell, we are right here. Well, she has a point. But still, I think that most New Zealanders do tend to feel we are rather distant from anywhere that matters.

I do tend to envy British friends who have such a range of countries that they can visit quite cheaply. In an article on British immigrants to New Zealand, one of the couples interviewed mentioned that they found it hard that they couldn't afford their customary two overseas holidays a year, "not even in the Pacific". Well, no. Even the South Pacific, after all, would swallow up Europe many times over. Apparently their usual European holidays cost them about 20 pounds each in airfares. In New Zealand, that amount would purchase a fare from Christchurch to Wellington, and that's about it. (Here's a hint: come to New Zealand to see New Zealand, not to see Europe!)

Perhaps our distance is why we seem to be rather fond of putting up signposts like this:



This example comes from a park overlooking the Pacific Ocean in the small coastal town of Oamaru. No doubt they are also found in other countries, particularly at the coastal extremities, but I suspect New Zealand is particularly rich in them.

For more distant themed photos, visit Thematic Photographic here

Thematic Photographic: Aviation

Here's another photo that I didn't get round to posting for Carmi's previous theme "cloudy". This week his theme is Aviation and I realised that I could sneak it in here instead.

One of the totally unexpected things that struck me when we visited the UK was that wherever we went, there were jet trails all over the sky. Here, at the edge of the world, we see occasional jet trails, but most of the time the sky is free of them. There, on blue sky days, whenever we looked up, there they were.



This photo was taken in a small town in Derbyshire called Matlock. While my husband visited the local records office in a search for his ancestors, I took a walk round the town and added to my holiday photo collection. It almost looks as if the jet trails are stitching the clouds together.

Kay Ryan on AWP

I have several huge piles of poems and articles about poetry printed from various websites. In the interests of clearing office space, I've been going through them and throwing most of them out , keeping only my favourites.

I enjoyed this one - Kay Ryan on her view of AWP which I found both entertaining and thought provoking. (Now that the link is recorded here, I'll throw out the printed pages).

She describes the "contemporary sestina" as like the "contemporary minuet" - both hopeful and sweet. This put me in mind of my third grade piano exam when one of my set pieces was "Minuet for a Modern Grandmother". As I recall, it was dissonant, syncopated and unlike my elderly music teacher, I rather liked it. So perhaps there is hope for the contemporary sestina despite Kay's views (though I have yet to write one myself).

Thematic Photographic: Cloudy

There are plenty of photos that fit the "cloudy" theme in my travel files. Even at the end of summer, there is no shortage of clouds in Scotland. (And of course we had more time to take photos when we were on holiday).

Before I drag out the travel photos though, I thought I would post a couple taken closer to home. I believe good photography is mostly about having a good eye, and lots of time and patience. Since I lack the last two, I have to hope I have at least some of the first, and rely mostly on luck, and on taking a lot of photos so I can choose the best.

The first two photos are taken in places I'd love to have time to go back to, and sit and wait for those perfect light conditions.

The first is at Godley Head near Christchurch, looking out over the Pacific Ocean, early to mid morning.



The second is taken outside the Christchurch Art Gallery. The kinetic sculpture is called "Reasons for Voyaging". I have other shots of it taken against a brilliant blue sky. About once a week, when the phase of the moon changes, the rotation of the crescent shapes is also changed.



This last shot is taken near my work, late afternoon, near Christchurch Airport.



For more cloudy photographs visit Carmi here.

Readwritepoem #80

Belief

My belief has worn thin. All those years
I sat in church, watched you in your Sunday hat
sitting at the old harmonium, your feet pumping life
into the hymns. Some days now the existence of God
seems ridiculous. Almost as impossible as the idea
that there is nothing pumping the machinery
of this beautiful marvellous world. Do you know
that I am telling you this? It is hard to imagine you
somewhere above, ominiscient.
Or is this one of time's many rooms
that you cannot enter?

After you were gone, I wore your nightgown
until it was so thin it was almost transparent.
I didn't want to let it go.
How long until belief tears apart?


*******

The prompt at Readwritepoem this week was "What I could never tell my mother".
I could always tell my mother pretty much anything, and the things I wouldn't tell her mostly fall into the category of "too much information" and are certainly not material for poems, especially not poems posted in a public forum. I realised though that I could read the prompt differently. My mother died when I was quite young, expecting my first child. There have been many things I would have liked to tell her, or ask her, and she wasn't there. I started brainstorming a list of ordinary everyday things, intending to use them in a list poem, but somewhere along the line it took a slightly different turn.

As always it is a very rough draft.

For more poems about mothers, secrets, or other things, visit readwritepoem here.

Thematic Photographic: Green

Plenty of green photos in my files, so it was hard to know what to choose for this prompt (perhaps I will post some more over the coming week). However for me, this photo from the Singapore Botanic Gardens is the essence of greenness:



For more green photos, visit Carmi here

Readwritepoem #79

Winter Landscape

Farmer in a field digging onions,
their skins the colour of old vellum.
dried stalks in convoluted curlicues
like capitals on an illuminated manuscript.
He stamps his feet on the frosty ground,
blows on his hands to warm them.
Pan the scene outwards, the plains
stretch and stretch, the last tendrils
of morning mist lifting, the row of distant poplars
which his grandfather planted
to tether the sky lest he go mad
from so much blue.

******

I had hoped to use all the words from the readwriteword prompt in one poem, but they were so disparate that the goal eluded me. I managed to use six of them: onions, vellum, convoluted,hand, mist, tether.

For more readwriteword poems, go here

For more of my poetry on line (see my previous post), go to Blackmail Press here

My Poems on the Internet

Just up today, the latest edition of New Zealand Poets Online at Blackmail Press.

It is a themed edition - the theme is "secrets"

And for those of you who don't know my last name, here is the direct link to my page of three poems.

Thematic Photographic: Road

I tend not to take photographs of roads - I don't find them very interesting. When we were in the UK, however, we spent a fair bit of time driving around, and found that often we couldn't stop to take photos. In New Zealand there is usually room to pull over by the side of the road for a scenic shot, but the English roads are narrow, with hedges or stone walls at the roadside, and there just isn't anywhere. Then, if you come to a parking area, there might be a charge of several pounds to park there, which is fine for day walkers, but not if you want to explore an area for ten minutes or so and then move on half a dozen times or more in the day.

Consequently we got quite practised at taking photos from the moving car. And I thought I would find quite a few "road" photos among the seven thousand or so I took over the month, but in fact there are far more photos of what we could see from the road than of the road itself.

I did find a couple of interesting ones, and another from a road trip in New Zealand. Incidentally, I tend to distinguish between roads and streets - the essential difference being that roads are in the countryside, and streets are urban. Where there are streets named something or other road in a city, you will usually find that they started off in the countryside, and the city expanded around them.

This view was taken on Otago Peninsula near Dunedin in the south of New Zealand



This one is at the top of a pass in Scotland aptly named "Rest and be Thankful", at the top of Glen Croe on the route between Loch Lomond and the West Coast.



And this one is in the Lake District, next to a historic slate mine, the Honister slate mine. As New Zealanders, we weren't very impressed with the "mountains" in Britain. We would be driving along and find a sign that warned of a steep descent. After a while we would find the road levelling out and say "oh, was that it?" But the Lake District was one area where we felt the hills made up in steepness for what they lacked in height (Britain's highest mountain, Ben Nevis, is about a third the height of New Zealand's highest mountain, and we have plenty more).



For more road imagery, visit Thematic Photographic here

A Weekend Walk

A few years back I saw an item in our local newspaper about a retired man who decided to walk every street in the city. As I recall, it took him about three years of daily walks. Lately I've been thinking it would be an interesting photographic project to not only walk along all the streets but also document them - however since I have not retired, it would probably take me about twenty years. And there must be some areas where there are streets full of houses with little variety.

Still, at the weekend I needed to visit a certain greengrocery shop, and decided since I haven't been exercising much lately, I would walk instead of driving, and take my camera along. We live in a moderately well off area, but it is only about a block or two, after crossing the river, a busy dual carriageway road, and a railway line in quick succession, before the character of the neighbourhood changes.

First comes the polytechnic which sports this mural on the wall.



Further up the road, this joyful sculpture by Llew Summers was shining in the late afternoon sun.



For as long as we have lived here (about twentyfive years) this boat has been sitting on this corner section. I can't help wondering what the story is behind it.



This is actually a bare brick wall. Again, I wonder what actually goes on in this building.



On the way back I noted the graphic quality of the red and blue building and circles of barbed wire. This is by the railway yards



where someone has abandoned a shopping trolley - quite a distance from any supermarket.



Up the railway line you can just see the centre of the city.

I am gradually getting round to revising my NaPoWriMo poems. It's more than just a tweak here or there. There are not many that satisfy me just as they are, but quite a few where I have a sense of an underlying story, mood or feeling that I want to unearth, which may mean discarding a great deal of the poem and starting again.

For this one, I initially abandoned all but the title - and I rearranged the words of the title, too - but then some of the initial story found it's way back in. I'm not done with it yet, but it is a lot closer to being a keeper than the original. I even managed to fit in a word from Readwritepoem's Wordle - veer. I also considered using paean, debonair, and twist, but in the end I didn't.

The last line confused my face to face poetry friends here. I was thinking of French flags, and various other countries, but "red, white and blue" made them think American. I think that's a little sad. There are few enough colours in the world - why should these be appropriated by one country? But since that's the way of it, I will probably find another way of expressing the ending.

(Both versions since removed from this post - expired! Contact me if you would like a copy)

Thematic Photographic: Single

At Carmi's blog this week the Thematic Photographic theme is single.

I looked through my photos pondering birds (plenty of those), "single tree in bare landscape" ( a few of those too), and then came across a selection of animal photos taken at Orana Park, our local wildlife park. So, cute furry animals it is.



This is an Asian small clawed otter. It is actually quite difficult to capture one on its own as they tend to move like a chorus line. they seem to be almost telepathic in their ability to get up and move together. However they had to go single file to get through the hollow log.



The meerkats are group animals too, but they do stand a little apart from each other, looking very alert as they take turns on sentry duty.

Make Way for Ducklings

The sign at the top is from the motor camp where we stayed in Dunedin for a couple of nights late last year. The footprints were painted on the road way to reinforce the point.

For more photos of interesting signs, visit Carmi here.

Revising and Rewriting

Last night my small poetry group met and I took along half a dozen or so of my less abysmal efforts from NaPoWriMo. It was interesting to go through and re-read them. Some that I didn't like much at the time are growing on me. In some cases, I realise that small alterations have the potential to make a large difference to the quality. Some that I liked initially seem less interesting now.

One of them is essentially what Ted Kooser describes in his excellent book The Poetry Home Repair Manual as an anecdotal poem. He describes the form as
This happened first,
and then this
happened; then this
and this; this happened next, then this
and this and this,
and then - you won't believe it -
THIS!

Well, mine isn't quite like that, but almost. But we all agreed that the poem had a good title -
The Blonde Ambassador's Daughter.
(Even the title needs changing, being a little ambiguous, so it will henceforth be the Ambassador's Blonde Daughter)

I have a whole new poem in mind to go with the title, using one or two elements from the original in their barest essentials only. Does that count as revision?

An extra treat this month - since one of the group's members couldn't come, we are having an extra meeting next week at her new flat (a New Zealand term for apartment). And then we have book plans to work on.