I haven't been posting much over the last few days. I had all sorts of things planned to do while i'm on a holiday break, and then I was offered two weeks free trial to Ancestry. As a passionate genealogist, it has been keeping me very busy.
T.S. Eliot wrote in his "Four Quartets"
We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Researching family history, to me, is a search for the place where I started. We are all shaped by those who came before us in ways we can't imagine. The majority of my ancestors came from Scotland. I treasure my Scottish ancestry. And yet I am not drawn to bagpipes, tartans or other popular images of Scottishness. I don't believe they were part of my ancestors' lives. The tartan as we know it is a 19th century invention, and kilts were not worn by the lowland Scots. I don't know what it is about Scotland that calls to me, but later this year I will be making a journey there to see what I can find out. Perhaps to "know the place for the first time". I feel like an explorer in the labyrinth, gathering up the threads that have been left for me by my forbears, following their trail back to all the places they left well over a hundred years ago.
They came from all walks of life - farmers who owned their own land, agricultural labourers, a schoolteacher, a lamplighter, coal miners, tailors, bakers and many others. They left for all sorts of reasons. I wish I could talk to them, but wonder if we could understand each other if I did. Not because the language and accent would be difficult, but because their world view would be different. I don't think that concepts such as self-fulfilment would be very familiar to them, whereas ideas such as duty are less popular now.
So, visiting Scotland is not a final destination on my quest to "know the place where I started for the first time". But it is one more step on the journey. I'm trying to keep an open mind about what I might discover, so that I am not disappointed. I don't think I will be.
More Eliot:
What we call the beginning is often the end
And to make an end is to make a beginning.
The end is where we start from....
We are born with the dead:
See, they return, and bring us with them.
Oh, and if anyone would like a free trial at Ancestry, let me know - I can send an invitation.
"Destinations" is the topic at Sunday Scribblings this week.
Sunday, December 31, 2006
Thursday, December 28, 2006
Oh Yes, It's Thursday
I'm in holiday mode, which means I don't really remember which day of the week it is. And I don''t have to remember, until next Wednesday when I go back to work. Christmas Day, Boxing Day, New Year's Day and the day after are all public holidays in New Zealand. Only a few work on the days in between and many offices shut altogether. The shops, though, are closed on Christmas Day only, and the next day the sales start. I'm not sure how these are different to the pre-Christmas special offers when everyone competes for the Christmas shopping dollar. However, it came in handy because just before Christmas, I did a huge mountain of laundry, and then discovered our dryer wasn't working properly. So we have bought a new one at 20% off.
Oh yes, it's supposed to be summer. Someone forgot to tell the weather masters. Finally, though, we have had two nice sunny days in a row, and I have started exercising again after all the holiday food. I took a walk up the hill today and remembered this piece that I wrote a month or so back when I had one of my fitful attempts at writing a poem a day. This is today's contribution for Poetry Thursday:
Rapaki Track
A hawk lifts over the ridge
and skates in tight circles
on the blue rink of the sky.
Serrated wingtips blade the air.
He is searching for movement
but there is only the white stillness
of the grass in the wind,
water running in the cleft
of the valley. He circles and
circles and then spins off northwards
towards the city. A plane
is rising in the east to meet him.
I didn't see a hawk up there today, but I did see another wild species - a bagpiper. I think he goes up there regularly to practice, I've seen him before. And by the river, before I reached the hill, this fellow posed for me - he let me get as close as about a metre away before he flew off.
Oh yes, it's supposed to be summer. Someone forgot to tell the weather masters. Finally, though, we have had two nice sunny days in a row, and I have started exercising again after all the holiday food. I took a walk up the hill today and remembered this piece that I wrote a month or so back when I had one of my fitful attempts at writing a poem a day. This is today's contribution for Poetry Thursday:
Rapaki Track
A hawk lifts over the ridge
and skates in tight circles
on the blue rink of the sky.
Serrated wingtips blade the air.
He is searching for movement
but there is only the white stillness
of the grass in the wind,
water running in the cleft
of the valley. He circles and
circles and then spins off northwards
towards the city. A plane
is rising in the east to meet him.
I didn't see a hawk up there today, but I did see another wild species - a bagpiper. I think he goes up there regularly to practice, I've seen him before. And by the river, before I reached the hill, this fellow posed for me - he let me get as close as about a metre away before he flew off.
Monday, December 25, 2006
Joy to the World
Firstly, I have another photo of the pohutukawa tree, or at least the top of one which was the best I could do on the steep hillside below the university in Wellington. It is not, as David thought, a bottlebrush which is an Australian shrub that is considerably smaller. Also, the pohutukawa blossoms are rounder and softer than those of the bottlebrush, which are quite stiff. Some will be covered in blossom even more thickly than this in the weeks to come.
Last night (Christmas Eve) I headed off to "Carols by Candlelight". It has been an annual tradition held in this city for the past 46 years. When I got there something seemed a bit odd. I looked around for people passing out song books and candles and couldn't spot any. Where was the band? Where was the compere? Were they running late? Shortly someone stood in the centre of the gathered crowd and started calling out carols, which people started to sing a little raggedly. Some had brought their own carols and songbooks. When I asked someone near me what was going on, he said the event had been cancelled, so we were having a "do it yourself" singalong instead. Why was it cancelled? I'm not quite sure, it seemed to be something to do with all the rain we had had, and the fact that the ground was too wet to put the stage up.
Stage? I didn't grow up here, but holidayed here with aunts and uncles regularly as a child. I do remember attending once or twice, when we came at Christmas, and I'm sure there was no stage. The essential ingredients are a crowd, songbooks, candles, a Salvation Army band, and someone with a microphone (I think it was the bandleader) to announce what we were singing next.
Gradually things got fancier. Someone decided to add a "celebrity" compere. And a soloist or two to interrupt the crowd singing. Fortunately they save the real hype for "Coca Cola Christmas in the Park" (sponsored by guess who?) which comes a few weeks earlier and is mostly a family pop concert with a few Christmas songs like "Rudolph the Red Nosed Reindeer" and if very lucky, one or two which actually mention the real reason for Christmas.
Anyway, it turned out last night that not even the essential ingredients are essential. We had a crowd, some of whom had candles and songbooks they had brought with them.
We had a self-appointed compere but no microphone. We had a soloist: a French tourist who gave a vivacious and extended impromptu solo, all in French. Few understood it, but she was loudly applauded. Halfway through, a trumpeter appeared to accompany us. (Presumably he went home to fetch his trumpet when he found the band was absent). We all enjoyed it immensely. It felt like the true spirit of Christmas.
When I was moving around to get a better view of the trumpeter, I noticed this window directly behind the crowd. It is the window of a hotel which is further away than it looks, because I was using the zoom. I thought it made a beautiful backdrop to the scene
Last night (Christmas Eve) I headed off to "Carols by Candlelight". It has been an annual tradition held in this city for the past 46 years. When I got there something seemed a bit odd. I looked around for people passing out song books and candles and couldn't spot any. Where was the band? Where was the compere? Were they running late? Shortly someone stood in the centre of the gathered crowd and started calling out carols, which people started to sing a little raggedly. Some had brought their own carols and songbooks. When I asked someone near me what was going on, he said the event had been cancelled, so we were having a "do it yourself" singalong instead. Why was it cancelled? I'm not quite sure, it seemed to be something to do with all the rain we had had, and the fact that the ground was too wet to put the stage up.
Stage? I didn't grow up here, but holidayed here with aunts and uncles regularly as a child. I do remember attending once or twice, when we came at Christmas, and I'm sure there was no stage. The essential ingredients are a crowd, songbooks, candles, a Salvation Army band, and someone with a microphone (I think it was the bandleader) to announce what we were singing next.
Gradually things got fancier. Someone decided to add a "celebrity" compere. And a soloist or two to interrupt the crowd singing. Fortunately they save the real hype for "Coca Cola Christmas in the Park" (sponsored by guess who?) which comes a few weeks earlier and is mostly a family pop concert with a few Christmas songs like "Rudolph the Red Nosed Reindeer" and if very lucky, one or two which actually mention the real reason for Christmas.
Anyway, it turned out last night that not even the essential ingredients are essential. We had a crowd, some of whom had candles and songbooks they had brought with them.
We had a self-appointed compere but no microphone. We had a soloist: a French tourist who gave a vivacious and extended impromptu solo, all in French. Few understood it, but she was loudly applauded. Halfway through, a trumpeter appeared to accompany us. (Presumably he went home to fetch his trumpet when he found the band was absent). We all enjoyed it immensely. It felt like the true spirit of Christmas.
When I was moving around to get a better view of the trumpeter, I noticed this window directly behind the crowd. It is the window of a hotel which is further away than it looks, because I was using the zoom. I thought it made a beautiful backdrop to the scene
Sunday, December 24, 2006
New Zealand Christmas
Normally the shops here go crazy the day before Christmas. However I headed to the supermarket today for some last minute items and was surprised that I didn't even have to queue at the checkout. My daughter who works at a different supermarket was actually sent home because they had rostered on more staff than they needed. I guess the fact that Christmas is on a Monday is making it less rushed for everybody - finish work on the Friday, then there is still a whole weekend for that last minute shopping, instead of a few hours late at night on Christmas Eve.
On the other hand, the weather is giving me problems. It has been raining and raining, and then raining some more, with a few fine interludes in between. I did a huge pile of laundry, put it in the dryer which I don't usually use in summer, and then found out that the dryer wasn't working. Christmas Eve is not a good time to get it fixed. So I ended up stringing up a line on our patio, which is open at the front but otherwise covered, and "decorating" the front of our house with a load of laundry. It gives new meaning to hanging up the Christmas stockings.
When we were in Wellington last week I took the opportunity to take the photograph below. One of the things I miss in Christchurch is the pohutukawa trees blooming at Christmas. We are too far south for them to thrive - although there are a few, if you hunt them out. This tree is also known as the New Zealand Christmas tree because it blooms so profusely with bright red blossom around Christmas time. As it was a little early, not all of the trees were blooming yet, and those most thickly covered seemed to be out of reach of my camera, but this will give you a taste.
On the other hand, the weather is giving me problems. It has been raining and raining, and then raining some more, with a few fine interludes in between. I did a huge pile of laundry, put it in the dryer which I don't usually use in summer, and then found out that the dryer wasn't working. Christmas Eve is not a good time to get it fixed. So I ended up stringing up a line on our patio, which is open at the front but otherwise covered, and "decorating" the front of our house with a load of laundry. It gives new meaning to hanging up the Christmas stockings.
When we were in Wellington last week I took the opportunity to take the photograph below. One of the things I miss in Christchurch is the pohutukawa trees blooming at Christmas. We are too far south for them to thrive - although there are a few, if you hunt them out. This tree is also known as the New Zealand Christmas tree because it blooms so profusely with bright red blossom around Christmas time. As it was a little early, not all of the trees were blooming yet, and those most thickly covered seemed to be out of reach of my camera, but this will give you a taste.
Saturday, December 23, 2006
Almost Christmas
As I said in my last post, I have been crazy busy in the past week. Only a little of this was truly Christmas related. I was also involved in mailing out the latest issue of a literary magazine. This includes a complex mixture of renewals for individual subscribers, invoices for libraries and book shops, contributors' free copies and so on. There is still a little tidying up to do but it can wait till after Christmas.
There were end of year barbeques (in the rain) and at work, I did extra hours to clear everything away before the end of the year, since I won't be working between Christmas and New Year.
Now I find the house has grown dust bunnies in the meantime, so this weekend is a time for hurried housecleaning before Christmas Day, when I hope to be ready to relax.
In the meantime I am having brief fixes of blogging, visiting a site or two, or making a brief post, as a break from the housework.
The photos below are of a Christmas tree that I encountered last year in a shopping complex in Wellington. The shells on the tree are polished paua shell - a New Zealand shellfish similar to abalone. I thought it was very effective, although the photos don't quite do it justice.
There were end of year barbeques (in the rain) and at work, I did extra hours to clear everything away before the end of the year, since I won't be working between Christmas and New Year.
Now I find the house has grown dust bunnies in the meantime, so this weekend is a time for hurried housecleaning before Christmas Day, when I hope to be ready to relax.
In the meantime I am having brief fixes of blogging, visiting a site or two, or making a brief post, as a break from the housework.
The photos below are of a Christmas tree that I encountered last year in a shopping complex in Wellington. The shells on the tree are polished paua shell - a New Zealand shellfish similar to abalone. I thought it was very effective, although the photos don't quite do it justice.
Thursday, December 21, 2006
Is It Thursday Already?
I am crazy busy this week, so I am very quickly posting a poem from my files for Poetry Thursday, and I may catch up in a day or two.
Just as well that this week's prompt was "do what you like".
Z
points both east and west
a Byzantine ziggurat
a jazz riff, Dizzy Gillespie on a trombone
it’s a double puzzle,
a blazing breeze,
a horizon zigzagging to the zenith,
an awkward couple,
a figure 2 sharpened
catching z’s in a double bed
all knees and elbows
More Poetry Thursday here
Just as well that this week's prompt was "do what you like".
Z
points both east and west
a Byzantine ziggurat
a jazz riff, Dizzy Gillespie on a trombone
it’s a double puzzle,
a blazing breeze,
a horizon zigzagging to the zenith,
an awkward couple,
a figure 2 sharpened
catching z’s in a double bed
all knees and elbows
More Poetry Thursday here
Saturday, December 16, 2006
Don't Rain on my Parade
As I've mentioned in previous posts, we had a quick trip to Wellington this week for my daughter's graduation. Although she lives at home in Christchurch, she studied for her library degree by correspondence with Victoria University of Wellington (the only university that offers it), while working parttime in a library here.
The "summer" weather has been very erratic lately, so we were relieved to have a perfect day - neither too hot, nor wet - since the graduands parade through the city before the ceremony.
They were led by the Scots College pipe band
Followed by men in silly hats
More men in silly hats (the purple squashed thing on the left was a particularly splendid example, unfortunately this photo doesn't do it justice)
The MLIS (library) students wore hoods described as "champagne with fuchsia stripe". Actually their hoods were more like sailor collars - much easier to wear than the true hoods that some of the students with other degrees wore.
At the end of the parade, all the students released their balloons in Civic Square.
The "summer" weather has been very erratic lately, so we were relieved to have a perfect day - neither too hot, nor wet - since the graduands parade through the city before the ceremony.
They were led by the Scots College pipe band
Followed by men in silly hats
More men in silly hats (the purple squashed thing on the left was a particularly splendid example, unfortunately this photo doesn't do it justice)
The MLIS (library) students wore hoods described as "champagne with fuchsia stripe". Actually their hoods were more like sailor collars - much easier to wear than the true hoods that some of the students with other degrees wore.
At the end of the parade, all the students released their balloons in Civic Square.
Thursday, December 14, 2006
Poetry Thursday: On the Street Where You Live
This week's prompt at Poetry Thursday set me thinking about streets. At first, I didn't find much to inspire me in the town where I currently live. Sure, we have a whole bunch of streets named for poets: Tennyson, Wordsworth, Byron, Coleridge, Shakespeare. All very dead and very English. I suspect the streets in Christchurch are just too darned polite and well-behaved - laid out in nice grids with pretty English looking front yards. Maybe I live in the wrong part of town. I have to admit that the hot winds we have been having this week aren't so polite, but they don't inspire me to poetry. They just make me tired.
Then my thoughts turned to Wellington, where I grew up, and I started to find poetry. The street where I spent my childhood was called Tai Paku Paku Rd. This is a Maori name which means, as far as I can ascertain, "gentle murmuring waves". If no one has ever put it in a poem, they should have - it sounds poetic, right off the bat. Actually, like many Wellington streets, it is not. That is, it starts off with good intentions at the crest of a hill. You can drive a car down and round a bend, and all of a sudden, about where our house was, the street runs out, in a turning area with a great view of the harbour. But the name doesn't. It continues down a zigzag footpath where there are more houses, and then it become a set of steep steps cut into a sandstone cliff, all the way down to the harbour, where it is signposted just like any real street.
Grass St was another street like that. It was the street my music teacher lived on. There was a short stretch of real street leading away from the waterfront Esplanade, and then a zigzagging path up the hill, through the pohutukawa trees. I could get off the bus at the bottom and make the steep climb, or I could stay on the bus while it took the long way round up the road to the top of the hill (I usually bussed up and walked down).
Poet Lauris Edmond lived on Grass St in her later years. When I read her autobiography, I realised that I was constantly almost bumping into her, but not quite. She moved to Grass St after I had grown up and stopped learning piano. I think Grass St made it into one of her poems, though I can't locate it just at the moment. She taught at my small primary school a few years before I started there (and it did make it into one of her poems). Also in her poems are Mount St, where a small historic cemetery jostled up against the university, and the wonderful Spanish sounding streets which give their names to cable car stops : Salamanca Road, Talavera Terrace. (Spanish always sounds poetic to me. The suburb where I grew up also had a Spanish name: "Miramar" - "behold the sea"). The closest I came to Lauris, I think, was when we bought our second house, and rented our first to a group of flatmates which included one of her daughters - though it was mostly done through an estate agent. We never met until I heard her at a poetry reading and had a book signed. We probably only exchanged a few words. But nevertheless, in her poems and her autobiography, there are the scenes of my life.
Our second house as mentioned above was in Happy Valley Road. This was a long road running up a valley from the sea, populated at the bottom and top, but with nothing but scrub covered hills in the middle section, too wild to really be called "countryside". Poetry seems to have been following me: when I recall Happy Valley Road I always think of Jenny Bornholdt's poem "Instructions for How to Get Ahead of Yourself While the Light Still Shines". You can find an audio of it here (scroll down to the Audio section).
I'm writing this on Tuesday night and will post it on Thursday night, after a quick trip to Wellington for my daughter's graduation. Maybe I'll find time to work on some poems of my own about Wellington streets. In the meantime, if the Bornholdt link isn't enough, here is a link to another street poem - a rather long one - Galway Kinnell's The Avenue Bearing the Initial of Christ into the New World.
Thursday postscript: I didn't think I would get a poem written - but I did:
Lunchtime in the Cemetery
In Mount St the dead jostle up against us
They are not ours. We deny them
elbow room, picnic on their rooftops.
"Meet you on the five nuns", we say
as we head to our lectures and laboratories.
We lunch on sandwiches, fruit, and each other.
We compare notes, finish last-minute assignments,
study various sorts of chemistry.
Just as our crystals absorb moisture from the atmosphere,
so we absorb the sunlight.
We are becoming deliquescent.
Part of the Mount St cemetery
More Poetry Thursday here
Then my thoughts turned to Wellington, where I grew up, and I started to find poetry. The street where I spent my childhood was called Tai Paku Paku Rd. This is a Maori name which means, as far as I can ascertain, "gentle murmuring waves". If no one has ever put it in a poem, they should have - it sounds poetic, right off the bat. Actually, like many Wellington streets, it is not. That is, it starts off with good intentions at the crest of a hill. You can drive a car down and round a bend, and all of a sudden, about where our house was, the street runs out, in a turning area with a great view of the harbour. But the name doesn't. It continues down a zigzag footpath where there are more houses, and then it become a set of steep steps cut into a sandstone cliff, all the way down to the harbour, where it is signposted just like any real street.
Grass St was another street like that. It was the street my music teacher lived on. There was a short stretch of real street leading away from the waterfront Esplanade, and then a zigzagging path up the hill, through the pohutukawa trees. I could get off the bus at the bottom and make the steep climb, or I could stay on the bus while it took the long way round up the road to the top of the hill (I usually bussed up and walked down).
Poet Lauris Edmond lived on Grass St in her later years. When I read her autobiography, I realised that I was constantly almost bumping into her, but not quite. She moved to Grass St after I had grown up and stopped learning piano. I think Grass St made it into one of her poems, though I can't locate it just at the moment. She taught at my small primary school a few years before I started there (and it did make it into one of her poems). Also in her poems are Mount St, where a small historic cemetery jostled up against the university, and the wonderful Spanish sounding streets which give their names to cable car stops : Salamanca Road, Talavera Terrace. (Spanish always sounds poetic to me. The suburb where I grew up also had a Spanish name: "Miramar" - "behold the sea"). The closest I came to Lauris, I think, was when we bought our second house, and rented our first to a group of flatmates which included one of her daughters - though it was mostly done through an estate agent. We never met until I heard her at a poetry reading and had a book signed. We probably only exchanged a few words. But nevertheless, in her poems and her autobiography, there are the scenes of my life.
Our second house as mentioned above was in Happy Valley Road. This was a long road running up a valley from the sea, populated at the bottom and top, but with nothing but scrub covered hills in the middle section, too wild to really be called "countryside". Poetry seems to have been following me: when I recall Happy Valley Road I always think of Jenny Bornholdt's poem "Instructions for How to Get Ahead of Yourself While the Light Still Shines". You can find an audio of it here (scroll down to the Audio section).
I'm writing this on Tuesday night and will post it on Thursday night, after a quick trip to Wellington for my daughter's graduation. Maybe I'll find time to work on some poems of my own about Wellington streets. In the meantime, if the Bornholdt link isn't enough, here is a link to another street poem - a rather long one - Galway Kinnell's The Avenue Bearing the Initial of Christ into the New World.
Thursday postscript: I didn't think I would get a poem written - but I did:
Lunchtime in the Cemetery
In Mount St the dead jostle up against us
They are not ours. We deny them
elbow room, picnic on their rooftops.
"Meet you on the five nuns", we say
as we head to our lectures and laboratories.
We lunch on sandwiches, fruit, and each other.
We compare notes, finish last-minute assignments,
study various sorts of chemistry.
Just as our crystals absorb moisture from the atmosphere,
so we absorb the sunlight.
We are becoming deliquescent.
Part of the Mount St cemetery
More Poetry Thursday here
Monday, December 11, 2006
Haiku Monday
This week's theme at onedeepbreath is "containers".
a small square box
of many coloured papers -
worlds not yet folded
a jar of buttons
from discarded garments
fastens memories
of many coloured papers -
worlds not yet folded
from discarded garments
fastens memories
Labels:
haiku,
One Deep Breath
Sunday, December 10, 2006
Getting Busier
We are definitely into the silly season of December. So, maybe my posts will be shorter this month. For today:
1) We had a real live donkey in church this morning.
2) I went out with my husband this afternoon and made a good sized dent in the Christmas shopping, and
3) I also bought some new trousers. Not only did they turn out to have a special on the trousers I wanted, a free top with each pair, but I managed to fit into a size smaller. Yaay! Seems my changed eating habits are actually working.
1) We had a real live donkey in church this morning.
2) I went out with my husband this afternoon and made a good sized dent in the Christmas shopping, and
3) I also bought some new trousers. Not only did they turn out to have a special on the trousers I wanted, a free top with each pair, but I managed to fit into a size smaller. Yaay! Seems my changed eating habits are actually working.
Saturday, December 09, 2006
Are You a Maximiser or a Satisficer?
I think I got those words right...They come from an article I read a while back. It's to do with how you make decisions. Maximisers gather all the information they can, analyse it carefully and try to make the best possible decision. Satisficers collect some information, then make a decision that is "good enough", and are satisfied with that. They don't mind if they didn't buy the best possible house, or get the cheapest possible deal on their new computer, or whatever. Satisficers are happier (though maximisers might not think so). That's because they are not always worrying that they might have got a better deal if they'd looked harder.
I was thinking about it because I've been running around trying to sort out our holiday bookings. We looked at various ads (lots of earlybird specials at the moment for travel to Europe next year), looked at online booking prices and I went to a certain travel agent, who advertises "lowest airfares guaranteed", to see what he would offer.
The lowest airfares guarantee is slightly misleading, because he gives the same price as you get booking with the airline direct, online. And then he charges a $50 service fee each. However, he came up with a good rental car deal which we couldn't match searching online. So we decided to book the airfare and the rental car with the travel agent and pay the fee. (Ignoring all the other things he was trying to sell, like prepaid bed and breakfast, travel insurance - definitely not the best or cheapest, and tours in Singapore where we have a stopover).
The only thing was that the formatting of his e-mail invoice got scrambled in transit, and I failed to notice that there was a 1.5% addition for paying by credit card. So I paid by credit card, for the hotpoints, then realised we had been overcharged (he also accidentally charged for the insurance we didn't want, and refunded it).
When I replied on his e-mail, he realised what a mess the formatting was, and agreed to refund the credit card. So now I have to go in and pay cash. But we could have booked online for the same price, paid by credit card, and got the hotpoints. And I am sick of running around. So, I am trying to remind myself that I'm very happy to be having this trip, and if I've messed up and not got the best possible deal by finding another travel agent who would accept credit cards, too bad.
On the other hand, with my new camera, I was quite content to spot one that I love, at a good price (special birthday deals at my husband's favourite photo store), and just enjoy it, without comparing dozens of cameras and reading heaps of online reviews. I am happy with it! If there's a better one, I don't want to know!
So, in regards to the opening question, I guess I'm a bit of both, depending on circumstances.
I was thinking about it because I've been running around trying to sort out our holiday bookings. We looked at various ads (lots of earlybird specials at the moment for travel to Europe next year), looked at online booking prices and I went to a certain travel agent, who advertises "lowest airfares guaranteed", to see what he would offer.
The lowest airfares guarantee is slightly misleading, because he gives the same price as you get booking with the airline direct, online. And then he charges a $50 service fee each. However, he came up with a good rental car deal which we couldn't match searching online. So we decided to book the airfare and the rental car with the travel agent and pay the fee. (Ignoring all the other things he was trying to sell, like prepaid bed and breakfast, travel insurance - definitely not the best or cheapest, and tours in Singapore where we have a stopover).
The only thing was that the formatting of his e-mail invoice got scrambled in transit, and I failed to notice that there was a 1.5% addition for paying by credit card. So I paid by credit card, for the hotpoints, then realised we had been overcharged (he also accidentally charged for the insurance we didn't want, and refunded it).
When I replied on his e-mail, he realised what a mess the formatting was, and agreed to refund the credit card. So now I have to go in and pay cash. But we could have booked online for the same price, paid by credit card, and got the hotpoints. And I am sick of running around. So, I am trying to remind myself that I'm very happy to be having this trip, and if I've messed up and not got the best possible deal by finding another travel agent who would accept credit cards, too bad.
On the other hand, with my new camera, I was quite content to spot one that I love, at a good price (special birthday deals at my husband's favourite photo store), and just enjoy it, without comparing dozens of cameras and reading heaps of online reviews. I am happy with it! If there's a better one, I don't want to know!
So, in regards to the opening question, I guess I'm a bit of both, depending on circumstances.
Thursday, December 07, 2006
Poetry Thursday: A Poetry Meme
1. The first poem I remember reading/hearing/reacting to was
Apart from nursery rhymes, and hymns, many of which are really poems (being a Presbyterian we sang a lot of psalms, which are classified in the Old Testament as "poetry") - the first two poetry books I owned were "A Child's Garden of Verse" by Robert Louis Stevenson, and the Golden Book of Poetry edited by Louis Untermeyer. I think the latter came first. So probably the first poem is from that book - "The Tale of Custard the Dragon" by Ogden Nash, which I loved and still do. (If you follow the link on the Poetry Thursday site you will find that this meme came from Cam, who recalls the same poem, coincidentally).
2. I was forced to memorize (name of poem) in school and........
Well, I was never made to memorize any poems in English. I do still recall a good chunk of one I had to learn in French - la Fontaine's fable of the fox and the crow (Le Corbeau et Le Renard). I loved memorising it. No problem.
3. I read/don't read poetry because....
I read it of course, because I love it. And because the best poetry hints at all sorts of layers of meanings. And because - well, just because I love poetry and I always have
4. A poem I'm likely to think about when asked about a favorite poem is .......
Probably many different poems on different occasions. Maybe Jane Kenyon's beautiful Let Evening Come. Or, if I am in a more light-hearted mood, it might be Billy Collins's Introduction to Poetry
5. I write/don't write poetry, but..............
I do write poetry - but I don't think I work at it hard enough or consistently enough. (Enough for what? Good question. Maybe, enough to satisfy myself that I am living up to my own expectations)
6. My experience with reading poetry differs from my experience with reading other types of literature.....
With poetry I can browse and dip into it more, and also go back and re-read favourites. It is a very different experience from the "straight through" of a novel.
7. I find poetry.....
In books, at readings and on the internet! Especially at Poetry Daily
8. The last time I heard poetry....
was at a book festival in September. I was alternately amused, moved, stimulated and bored. I particularly remember Bill Manhire reading his poem Erebus Voices which commemorates the victims of an air crash in the Antarctic. (It was written to be read at a memorial ceremony). Bill Manhire is a poet I haven't particularly liked in the past, but his more recent work seems to be more accessible. This one is particularly moving.
9. I think poetry is like....
This reminds me of having a new baby, when everyone clusters around trying to decide who the baby is like. I always said of mine "she is like herself" or "he is like himself". There is so much variety in poetry, I don't know how to begin to answer this question.
More answers to the meme at Poetry Thursday
No poems of my own this week, but if you follow the links you will find several very fine poems.
Apart from nursery rhymes, and hymns, many of which are really poems (being a Presbyterian we sang a lot of psalms, which are classified in the Old Testament as "poetry") - the first two poetry books I owned were "A Child's Garden of Verse" by Robert Louis Stevenson, and the Golden Book of Poetry edited by Louis Untermeyer. I think the latter came first. So probably the first poem is from that book - "The Tale of Custard the Dragon" by Ogden Nash, which I loved and still do. (If you follow the link on the Poetry Thursday site you will find that this meme came from Cam, who recalls the same poem, coincidentally).
2. I was forced to memorize (name of poem) in school and........
Well, I was never made to memorize any poems in English. I do still recall a good chunk of one I had to learn in French - la Fontaine's fable of the fox and the crow (Le Corbeau et Le Renard). I loved memorising it. No problem.
3. I read/don't read poetry because....
I read it of course, because I love it. And because the best poetry hints at all sorts of layers of meanings. And because - well, just because I love poetry and I always have
4. A poem I'm likely to think about when asked about a favorite poem is .......
Probably many different poems on different occasions. Maybe Jane Kenyon's beautiful Let Evening Come. Or, if I am in a more light-hearted mood, it might be Billy Collins's Introduction to Poetry
5. I write/don't write poetry, but..............
I do write poetry - but I don't think I work at it hard enough or consistently enough. (Enough for what? Good question. Maybe, enough to satisfy myself that I am living up to my own expectations)
6. My experience with reading poetry differs from my experience with reading other types of literature.....
With poetry I can browse and dip into it more, and also go back and re-read favourites. It is a very different experience from the "straight through" of a novel.
7. I find poetry.....
In books, at readings and on the internet! Especially at Poetry Daily
8. The last time I heard poetry....
was at a book festival in September. I was alternately amused, moved, stimulated and bored. I particularly remember Bill Manhire reading his poem Erebus Voices which commemorates the victims of an air crash in the Antarctic. (It was written to be read at a memorial ceremony). Bill Manhire is a poet I haven't particularly liked in the past, but his more recent work seems to be more accessible. This one is particularly moving.
9. I think poetry is like....
This reminds me of having a new baby, when everyone clusters around trying to decide who the baby is like. I always said of mine "she is like herself" or "he is like himself". There is so much variety in poetry, I don't know how to begin to answer this question.
More answers to the meme at Poetry Thursday
No poems of my own this week, but if you follow the links you will find several very fine poems.
Ten Photos I Want to Take with my New Camera
1. A really nice sunset, without any houses, power lines etc in the way. I can almost but not quite get there from one spot on the upper level of our house. I could climb the hill of course, but then I'd have to come down in the dark and I think that would be risking a sprained ankle on the rough track.
2. Pohutukawa blossom. Otherwise known as the New Zealand Christmas tree, because it is bright red and blooms at Christmas. Unfortunately it isn't seen much this far south, and sometimes at Christmas I get a little nostalgic for the North Island thinking of pohutukawa.
3. A harbour scene with fishing boats and their reflections. Yes, my tastes are a little chocolate boxy at times. We have a harbour not too far away, but most of the wharves have been closed off to public access - unlike Wellington where they sensibly have made public parks along the waterfront.
4. A squirrel. Preferably a British red squirrel and preferably not in a zoo. Because I've never seen one, and I think they are really cute.
5. A Chinese market.
6. Two old toothless men playing Mah Jong in the street. (Can you tell I want to travel?)
7. My daughter at her graduation (coming up soon!). This is her third degree, but she missed graduating in person the other two times because she was travelling.
8. Since she's graduating in Wellington, I'm looking forward to nostalgic photos of my home town. Maybe the cable car (and maybe the pohutukawas will be in bloom).
9. My greatgreatgrandparents' gravestones. I'm hoping that when we get to Scotland next year, they won't be vandalised or weatherworn beyond readability (I do know which churchyard to find them in).
10. Macchu Picchu. One of my dream destinations. Not going to happen any time in the foreseeable future.
In the meantime, because I am bored with photos of grasscovered hillsides and the flowers in my garden, here is something else - an impulse shot that I think turned out rather well. (Bonus points for accurately identifying what it is).
2. Pohutukawa blossom. Otherwise known as the New Zealand Christmas tree, because it is bright red and blooms at Christmas. Unfortunately it isn't seen much this far south, and sometimes at Christmas I get a little nostalgic for the North Island thinking of pohutukawa.
3. A harbour scene with fishing boats and their reflections. Yes, my tastes are a little chocolate boxy at times. We have a harbour not too far away, but most of the wharves have been closed off to public access - unlike Wellington where they sensibly have made public parks along the waterfront.
4. A squirrel. Preferably a British red squirrel and preferably not in a zoo. Because I've never seen one, and I think they are really cute.
5. A Chinese market.
6. Two old toothless men playing Mah Jong in the street. (Can you tell I want to travel?)
7. My daughter at her graduation (coming up soon!). This is her third degree, but she missed graduating in person the other two times because she was travelling.
8. Since she's graduating in Wellington, I'm looking forward to nostalgic photos of my home town. Maybe the cable car (and maybe the pohutukawas will be in bloom).
9. My greatgreatgrandparents' gravestones. I'm hoping that when we get to Scotland next year, they won't be vandalised or weatherworn beyond readability (I do know which churchyard to find them in).
10. Macchu Picchu. One of my dream destinations. Not going to happen any time in the foreseeable future.
In the meantime, because I am bored with photos of grasscovered hillsides and the flowers in my garden, here is something else - an impulse shot that I think turned out rather well. (Bonus points for accurately identifying what it is).
Tuesday, December 05, 2006
I Haven't Forgotten...
...that I have a blog, it's just that the Christmas silly season seems to be starting around here. And I have a new camera to play with. Lots of zoom and what-all else. For those who care about such things, it is a Panasonic DMC-FZ50. It's more expensive than I intended, but it looked so good that I couldn't resist - so far I love the big manual ring controls on the front for focus and zoom, just like an old-fashioned film camera - very easy to use.
There will be photos here when I figure out how to get them from the camera to the computer, I probably need to set up new cables since I'm not sure that the ones for my old camera fit. At the moment though I am doing boring things like taking the same photo on different apertures just to see how much I can blur or sharpen the background - not necessarily pretty shots, just whatever is around.
In the meantime Fiji is or isn't having a coup. I couldn't believe it when I picked up the paper on Friday and saw "Fiji's coup postponed for rugby game". Well yes, I could believe it, actually. I'd believe it in New Zealand, too, except that we wouldn't be having a coup in the first place. I'm not sure that we even have enough military to stage a coup, even if they were that way inclined. They're probably far more likely to say "she'll be right, mate" than to try and overthrow the government.
Every time I read the military commander's name I think "Bananarama".
Hopefully I'll post something soon for onedeepbreath, and Poetry Thursday will be along soon, too.
There will be photos here when I figure out how to get them from the camera to the computer, I probably need to set up new cables since I'm not sure that the ones for my old camera fit. At the moment though I am doing boring things like taking the same photo on different apertures just to see how much I can blur or sharpen the background - not necessarily pretty shots, just whatever is around.
In the meantime Fiji is or isn't having a coup. I couldn't believe it when I picked up the paper on Friday and saw "Fiji's coup postponed for rugby game". Well yes, I could believe it, actually. I'd believe it in New Zealand, too, except that we wouldn't be having a coup in the first place. I'm not sure that we even have enough military to stage a coup, even if they were that way inclined. They're probably far more likely to say "she'll be right, mate" than to try and overthrow the government.
Every time I read the military commander's name I think "Bananarama".
Hopefully I'll post something soon for onedeepbreath, and Poetry Thursday will be along soon, too.
Thursday, November 30, 2006
Poetry Thursday: Walls That Talk
This week I planned to explore the prompt at Poetry Thursday, but events at work upset my timetable for the week, so I am posting an existing poem, along with a photo of the memorial that inspired it. Come to think of it, it's a wall. So maybe this post is about walls that talk to me after all!
Almost Icarus
Icarus greets me each morning
still falling headlong
into a sea of flowers.
Lichen tips his feathers gold.
At my desk I tally numbers
while planes take off overhead.
At noon I walk past rows of flags –
the koru, the kangaroo, the golden bird
tethered to a pole.
I want to fly almost too close to the sun,
see temples and monuments,
marketplaces, beaches and jungles.
I want to return and put on my life
like a shabby old coat
and find how warm it is,
how soft.
Icarus in bas relief on a memorial to airmen of the second world war: "to those who flew and fell". It is situated near the approach road to Christchurch Airport, and I pass it on my way to work.
Almost Icarus
Icarus greets me each morning
still falling headlong
into a sea of flowers.
Lichen tips his feathers gold.
At my desk I tally numbers
while planes take off overhead.
At noon I walk past rows of flags –
the koru, the kangaroo, the golden bird
tethered to a pole.
I want to fly almost too close to the sun,
see temples and monuments,
marketplaces, beaches and jungles.
I want to return and put on my life
like a shabby old coat
and find how warm it is,
how soft.
Icarus in bas relief on a memorial to airmen of the second world war: "to those who flew and fell". It is situated near the approach road to Christchurch Airport, and I pass it on my way to work.
Wednesday, November 29, 2006
An Unpost
I was going to write a blog post today, and then I got too busy exploring the Scottish Poetry Library website. So this is an "unpost" to tell you what a wonderful website it is.
One interesting feature I found was a poetry map of Scotland. In an earlier post I was wondering about poems that are about particular places in England and Scotland, and here I found a map of Scotland linked to poems about each place - a wonderful resource. You can also send a poetry postcard (by e-mail) to a friend - or to yourself.
Lots more to explore on this wonderful site
One interesting feature I found was a poetry map of Scotland. In an earlier post I was wondering about poems that are about particular places in England and Scotland, and here I found a map of Scotland linked to poems about each place - a wonderful resource. You can also send a poetry postcard (by e-mail) to a friend - or to yourself.
Lots more to explore on this wonderful site
Tuesday, November 28, 2006
Haiku: Legacy
A haiku for my grandfather:
he taught me how to
move bishops, kings and castles
- how to find a mate
Are you allowed to pun in haiku? My kind gentle grandfather taught me how to play chess. Later, playing chess in the university common room, I met my future husband.
More haiku on the theme of legacy at onedeepbreath
I have posted this photo before, but I thought I would repeat it - a portrait of my grandfather in fabric
move bishops, kings and castles
- how to find a mate
Are you allowed to pun in haiku? My kind gentle grandfather taught me how to play chess. Later, playing chess in the university common room, I met my future husband.
More haiku on the theme of legacy at onedeepbreath
I have posted this photo before, but I thought I would repeat it - a portrait of my grandfather in fabric
Labels:
family history,
haiku,
One Deep Breath
Monday, November 27, 2006
Monday Mutterings
I arrived at work this morning, sat down at the computer, wiggled the mouse - but the screen didn't light up. I looked down - hadn't anyone switched it on yet? (My computer is the server for the whole office for our main database, so they usually turn it on first thing Monday morning). What I saw was a big dusty gap where the tower usually is. "Where's my computer?" I asked. "It blew up" was the reply.
Well, there was very little I could do without my computer so I came home again and now I have a free afternoon.
At the weekend I had a phone call. Our surname isn't very common. The caller was looking for Cindy for a school reunion. I suggested she try others of the same surname in the phone book since we moved here for my husband's work and don't know other families of that name in the area. But it reminded me of a funny incident a few years back. Strange mail started arriving addressed to me - advertising from marquee hire companies, caterers etc. I shrugged and tossed them in the recycling. Then I received one from a florist congratulating me on my engagement. My children thought this was a huge joke as I'd been married to the same man for about thirty years! I rang the florist and enquired how she got my address. She had purchased her list from a photographer. Apparently they go through the engagement notices in the newspaper, and then they check the electoral rolls to find the addresses. I told her that obviously they had the wrong Catherine and arranged to have my name removed from the list in the interests of saving a tree or two.
At this website you can check how many people in the US share your name. Actually you can't because it is based on statistics not an actual check of all the names - but it will give you an approximate idea. It tells me that there are 5 people with my name in the United States. (On the other hand there are 2372 people who share my maiden name). Which makes it a little unlikely that more than one namesake is going to turn up in the same not very big city in New Zealand.
Well, there was very little I could do without my computer so I came home again and now I have a free afternoon.
At the weekend I had a phone call. Our surname isn't very common. The caller was looking for Cindy for a school reunion. I suggested she try others of the same surname in the phone book since we moved here for my husband's work and don't know other families of that name in the area. But it reminded me of a funny incident a few years back. Strange mail started arriving addressed to me - advertising from marquee hire companies, caterers etc. I shrugged and tossed them in the recycling. Then I received one from a florist congratulating me on my engagement. My children thought this was a huge joke as I'd been married to the same man for about thirty years! I rang the florist and enquired how she got my address. She had purchased her list from a photographer. Apparently they go through the engagement notices in the newspaper, and then they check the electoral rolls to find the addresses. I told her that obviously they had the wrong Catherine and arranged to have my name removed from the list in the interests of saving a tree or two.
At this website you can check how many people in the US share your name. Actually you can't because it is based on statistics not an actual check of all the names - but it will give you an approximate idea. It tells me that there are 5 people with my name in the United States. (On the other hand there are 2372 people who share my maiden name). Which makes it a little unlikely that more than one namesake is going to turn up in the same not very big city in New Zealand.
Saturday, November 25, 2006
In the Garden
The blackbirds in our garden seem to have worked out that it is a good idea to investigate when one of the big creatures (me) is weeding the garden. Today I glanced up and saw Mr Blackbird not more than a couple of feet from me, busily digging in the soil with his foot. He had a beak stuffed full of grubs, sticking out along the sides like a fringe. I couldn't see how he could possibly hold more, but in fact he did manage to get a few more in before flying off, presumably to feed his chicks. A little later, he returned with an empty beak to start all over again. It amazes me how he can hold so many grubs and not drop any when he grabs the next one. Then Mrs Blackbird came along and joined in. The two of them have been at it all day, and didn't seem to mind even when I went noisily up and down the lawn with a mower.
Thursday, November 23, 2006
Poetry Thursday: Poetry Readings
This week at Poetry Thursday we were asked to seek out and attend a poetry reading. "Yeah right" I thought (which, if you are a New Zealander, you will recognise as a reference to a certain advertising campaign - otherwise of course, you won't). To get back to the prompt - after it appeared, on Monday evening I went to the meeting of my small poetry group, where I learnt that our main local organiser of poetry readings had not been successful with its grant application for the next series - usually held annually around April-May. With luck, the readings will still go ahead, but without the ability to pay expenses, they will have to rely on local readers.
I like to think I live in a big city, but it's not New York, or even Seattle. We have the above-mentioned series of readings which run for about eight weeks once a year, and we have poetry as part of the book festival which takes place every two years. Apart from that, there are occasional invitations to book launches, but as far as I know, there are none coming up. Per head of population, I suspect New Zealand has as many poets as pretty well anywhere, but the population is about the same as the state of Wyoming.
I did attend quite a few sessions of the book festival which was held back in September. Even in the book festival, the poets were mostly those who were available. I was impressed by the international line-up - among them Chilean poet Cecilia Guridi, Korean-American poet Ishle Yi Park and Irish poet Iggy McGovern. Then I found out that the first two were actually living in New Zealand, and the last of the three was spending six months "across the ditch" in Melbourne. So, even with the big festivals, we take what we can get down here in this corner of the world. I enjoyed attending a session with poet/physicist Iggy McGovern. The discussion was mostly about the relationship between science and poetry. Iggy is an engaging speaker - I remember him saying of the sestina that it is a "very difficult form, so you only ever have to write one". He says that language for scientists has to be about precision, whereas poets prefer language imprecise and metaphorical. He did agree with me, however, in question time, that scientists are not beyond the use of metaphors - as in the wave/ particle theories of light, or string theory. I do believe that poets and scientists are closer to each other than they might think.
The poem below, "The Bony", was Iggy McGovern's most popular poem at the festival. If you click the link above, you will find links to three more of his poems, to audio files of several poems including "The Bony", and to an interesting interview that appeared recently in the New Zealand Listener. You can also order a copy of his book, "The King of Suburbia".
The Bony
When I shared a bed
in nineteen fifty-two or three
with my bony father I was led
to believe that we
were alone;
now I can own
that when his bony frame
closed in upon my back
and he whispered my name
into my bony neck,
behind him
lay his bony father and, behind,
his bony grandfather, his bony great-
grandfather...all that long-lined
boniness, lying in state,
their collective bony weight
pulling him down, but slow,
a little heavier each year
until he finally let go
and I fear
he's here
now with the same bony crew,
light as a feathery ton:
O they have a job to do.
But not a word to my son.
- Iggy McGovern
More Poetry Thursday here
I like to think I live in a big city, but it's not New York, or even Seattle. We have the above-mentioned series of readings which run for about eight weeks once a year, and we have poetry as part of the book festival which takes place every two years. Apart from that, there are occasional invitations to book launches, but as far as I know, there are none coming up. Per head of population, I suspect New Zealand has as many poets as pretty well anywhere, but the population is about the same as the state of Wyoming.
I did attend quite a few sessions of the book festival which was held back in September. Even in the book festival, the poets were mostly those who were available. I was impressed by the international line-up - among them Chilean poet Cecilia Guridi, Korean-American poet Ishle Yi Park and Irish poet Iggy McGovern. Then I found out that the first two were actually living in New Zealand, and the last of the three was spending six months "across the ditch" in Melbourne. So, even with the big festivals, we take what we can get down here in this corner of the world. I enjoyed attending a session with poet/physicist Iggy McGovern. The discussion was mostly about the relationship between science and poetry. Iggy is an engaging speaker - I remember him saying of the sestina that it is a "very difficult form, so you only ever have to write one". He says that language for scientists has to be about precision, whereas poets prefer language imprecise and metaphorical. He did agree with me, however, in question time, that scientists are not beyond the use of metaphors - as in the wave/ particle theories of light, or string theory. I do believe that poets and scientists are closer to each other than they might think.
The poem below, "The Bony", was Iggy McGovern's most popular poem at the festival. If you click the link above, you will find links to three more of his poems, to audio files of several poems including "The Bony", and to an interesting interview that appeared recently in the New Zealand Listener. You can also order a copy of his book, "The King of Suburbia".
When I shared a bed
in nineteen fifty-two or three
with my bony father I was led
to believe that we
were alone;
now I can own
that when his bony frame
closed in upon my back
and he whispered my name
into my bony neck,
behind him
lay his bony father and, behind,
his bony grandfather, his bony great-
grandfather...all that long-lined
boniness, lying in state,
their collective bony weight
pulling him down, but slow,
a little heavier each year
until he finally let go
and I fear
he's here
now with the same bony crew,
light as a feathery ton:
O they have a job to do.
But not a word to my son.
- Iggy McGovern
More Poetry Thursday here
Wednesday, November 22, 2006
Slightly Random
Plans for our big trip are progressing - now that we have two weeks timeshare booked, we are looking at flights. Lots of "early bird" specials available at the moment. We discovered that if we fly Singapore Airlines we can fly direct from Christchurch to Singapore without having to go to Auckland first. Then we can fly direct from Singapore to either Heathrow or Manchester. We are definitely favouring the Manchester option, since we have heard that Heathrow is very congested these days.
Thinking about Manchester reminded me of the English school teacher I was talking to on our previous holiday in the North Island. (She was visiting New Zealand in her summer holidays). One of her questions was: "why do you call sheets, towels etc , manchester?" Well, presumably because a century or so ago, it was all imported from Manchester where there was a huge cotton industry. It hadn't occurred to me, though, that it wasn't called manchester in England! Actually, I think the word is dying out here - lots of big stores now have something like a "bed and bath" department instead.
Different word usage and different accents fascinate me. I have been watching "Survivor" (No doubt quite a few episodes behind the US). I couldn't figure out why a parent would name their child "Poverty" until I saw the name up on the screen and found out it was "Parvati". Over here that would be "Par" as in "Car". I assume that "car" has a long "a" in the US (or maybe everyone calls it an auto!)
Neil over at Citizen of the Month has started a tradition called "Thank Your First Commenter Day". So I checked back - comments were few and far between on my early posts - but my first commenter was m at Creative Voyage. And my first commenter who I hadn't known before I started blogging was the lovely Lynn of the defunct Sprigs, who is now blogging under her real name Dana, at sublimation. Thanks all. Comments make my day!
Thinking about Manchester reminded me of the English school teacher I was talking to on our previous holiday in the North Island. (She was visiting New Zealand in her summer holidays). One of her questions was: "why do you call sheets, towels etc , manchester?" Well, presumably because a century or so ago, it was all imported from Manchester where there was a huge cotton industry. It hadn't occurred to me, though, that it wasn't called manchester in England! Actually, I think the word is dying out here - lots of big stores now have something like a "bed and bath" department instead.
Different word usage and different accents fascinate me. I have been watching "Survivor" (No doubt quite a few episodes behind the US). I couldn't figure out why a parent would name their child "Poverty" until I saw the name up on the screen and found out it was "Parvati". Over here that would be "Par" as in "Car". I assume that "car" has a long "a" in the US (or maybe everyone calls it an auto!)
Neil over at Citizen of the Month has started a tradition called "Thank Your First Commenter Day". So I checked back - comments were few and far between on my early posts - but my first commenter was m at Creative Voyage. And my first commenter who I hadn't known before I started blogging was the lovely Lynn of the defunct Sprigs, who is now blogging under her real name Dana, at sublimation. Thanks all. Comments make my day!
Saturday, November 18, 2006
Sunday Scribblings: Heroes
The word "heroes" conjures up dramatic images. It makes us think of war heroes, those who pluck neighbours from burning buildings, save children from drowning, and other such incidents. But to me, heroism can be a much quieter, unheralded thing.
I do respect those who fought in various wars, for whatever reason. Some may have been young men looking for an adventure, and finding it not quite what they expected. Others fought from a deeply held sense of duty, or served in medical corps or in other ways. My father and his two brothers however, independently of each other came to the same conclusion: that war was wrong and they would not fight. It was an unpopular view in 1940. It must have been hard as the war progressed to be among the few young, healthy men not away fighting. Their leisure time was mostly spent helping out with chores for the wives of their friends who had been put in internment camps. (My father was luckier, as his appeal was upheld). It was hard too, for their parents - those who lost sons overseas were not well disposed towards those who had not just one but three sons refusing to serve.
My father never made a big deal about his story. He just quietly got on with his life, and served others in whatever capacity he could, compatible with his beliefs. His stance may have seemed a feeble effort at the time, but I believe that many New Zealanders views now have been shaped in part by the consciences of that small group of people, who were often very harshly treated.
My mother, too, was someone who seemed "just an ordinary mother" to me in the fifties. Nothing unusual about her. It was only later that I came to realise that she was a pioneer too, in her own quiet way. I was the first baby born in Wellington by natural childbirth. Nowadays it seems quite normal to refuse drugs, learn breathing techniques, room in with the baby, even have a home birth and all that goes with that. It is one thing to do it when it is an accepted choice. It is quite another thing when medical personnel are against it and you have to make a real effort to stand up for what you want. I can't help feeling that I would have caved in to accepted practice, but my mother knew what she wanted and made sure of getting it. And later there were other things, like standing up to teachers when their methods of discipline were dubious (to say the least) - and she was able to be polite and respectful while making her viewpoint clear.
To me, the real heroes are people like these. Not the ones who make dramatic rescues when things go wrong, but those who progress civilisation, in numerous small ways every day, even when their view is unfashionable.
More Sunday Scribblings here
I do respect those who fought in various wars, for whatever reason. Some may have been young men looking for an adventure, and finding it not quite what they expected. Others fought from a deeply held sense of duty, or served in medical corps or in other ways. My father and his two brothers however, independently of each other came to the same conclusion: that war was wrong and they would not fight. It was an unpopular view in 1940. It must have been hard as the war progressed to be among the few young, healthy men not away fighting. Their leisure time was mostly spent helping out with chores for the wives of their friends who had been put in internment camps. (My father was luckier, as his appeal was upheld). It was hard too, for their parents - those who lost sons overseas were not well disposed towards those who had not just one but three sons refusing to serve.
My father never made a big deal about his story. He just quietly got on with his life, and served others in whatever capacity he could, compatible with his beliefs. His stance may have seemed a feeble effort at the time, but I believe that many New Zealanders views now have been shaped in part by the consciences of that small group of people, who were often very harshly treated.
My mother, too, was someone who seemed "just an ordinary mother" to me in the fifties. Nothing unusual about her. It was only later that I came to realise that she was a pioneer too, in her own quiet way. I was the first baby born in Wellington by natural childbirth. Nowadays it seems quite normal to refuse drugs, learn breathing techniques, room in with the baby, even have a home birth and all that goes with that. It is one thing to do it when it is an accepted choice. It is quite another thing when medical personnel are against it and you have to make a real effort to stand up for what you want. I can't help feeling that I would have caved in to accepted practice, but my mother knew what she wanted and made sure of getting it. And later there were other things, like standing up to teachers when their methods of discipline were dubious (to say the least) - and she was able to be polite and respectful while making her viewpoint clear.
To me, the real heroes are people like these. Not the ones who make dramatic rescues when things go wrong, but those who progress civilisation, in numerous small ways every day, even when their view is unfashionable.
More Sunday Scribblings here
Making Plans
It is a long weekend here and I am getting very little done, probably because I planned to work on writing poetry. Whenever that happens I seem to procrastinate a lot. I find I get the most done if I jot a few notes down, go off and dig the garden and let the poem write itself in my head.
Unfortunately it is cold and wet, even though it's nearly summer, so that plan isn't working too well either. The air is so damp that the washing isn't even getting dry in the dryer, let alone on the line. I've been pruning the grape vine which grows so fast at this time of year it's hard to keep up, but the lawns will have to wait as they are too damp for the mower.
In the meantime, we have our accommodation bookings for next year's big trip: a week at Barnsdale Country Club which is in the English Midlands, where my husband's ancestors come from, followed by a week at Macdonald Forest Hills Resort near Stirling in Scotland, where my family comes from. From what I gather, it's a very historic part of Scotland with lots to see.
We will have a bit short of a week either side to move around, staying in bed and breakfasts, and seeing some of the outlying areas. We may or may not have a stopover on the way - Hong Kong or Singapore seem to be the favourite airline offerings. We are debating whether to fly in to Heathrow, or avoid the congestion and security issues there by flying into Manchester instead (which reduces the choices in airlines, but may be worth it). I'm not really looking forward to the LOOOOONG flight in uncomfortable airline seats - but I'm hoping it will be worth it!
I think when I get back I'll be planning the next trip, to fit in all the places there won't be time to see this time.
Unfortunately it is cold and wet, even though it's nearly summer, so that plan isn't working too well either. The air is so damp that the washing isn't even getting dry in the dryer, let alone on the line. I've been pruning the grape vine which grows so fast at this time of year it's hard to keep up, but the lawns will have to wait as they are too damp for the mower.
In the meantime, we have our accommodation bookings for next year's big trip: a week at Barnsdale Country Club which is in the English Midlands, where my husband's ancestors come from, followed by a week at Macdonald Forest Hills Resort near Stirling in Scotland, where my family comes from. From what I gather, it's a very historic part of Scotland with lots to see.
We will have a bit short of a week either side to move around, staying in bed and breakfasts, and seeing some of the outlying areas. We may or may not have a stopover on the way - Hong Kong or Singapore seem to be the favourite airline offerings. We are debating whether to fly in to Heathrow, or avoid the congestion and security issues there by flying into Manchester instead (which reduces the choices in airlines, but may be worth it). I'm not really looking forward to the LOOOOONG flight in uncomfortable airline seats - but I'm hoping it will be worth it!
I think when I get back I'll be planning the next trip, to fit in all the places there won't be time to see this time.
Thursday, November 16, 2006
Poetry Thursday: Lying
This week's prompt at Poetry Thursday was to write down ten objects and tell a lie about each one. Whether this resulted in poetry, or merely a writing exercise, I'm not sure, but I had a lot of fun doing it. Here are the results:
A telesope is to shrink things
so that they will fit in the television set.
A piano has black and white teeth
and it eats songs.
Everything I write with this pencil is true.
The rose tells the news of the day
but I can't read it.
The sky knows how but it won't tell me.
Under the hill dead sailors dance hornpipes.
The pylons are the masts of their wrecked ships.
The barbed wire fences catch poems from the sky.
The ladder is for birds with broken wings.
The egg contains oceans. If you break it
we will all drown.
And here is a bonus question:
I have been thinking about poetry of place, and specifically England and Scotland. I'm looking for poems set in the places I want to visit. I'm having a hard time coming up with any. There is Robert Burns of course, for Scotland - quite a few places mentioned in his poems. And A.E. Housman's "A Shropshire Lad". Then from Wordsworth I have his sonnet composed on Westminster Bridge, and another poem set near Tintern Abbey (which I have yet to look for on a map). Gerard Manley Hopkins has "Inversnaid" and there is Rupert Brooke's "Old Vicarage, Grantchester". (Where is Grantchester? I thought this was the old vicarage at Grantham - where some of my husband's forbears come from - until I checked on google and found that it was Grantchester after all).
This seems like a rather short list from hundreds of years of British poetry, and I would be grateful for any suggestions to add to it. I prefer modern or modernish poetry, but will take all suggestions. Thanks!
A telesope is to shrink things
so that they will fit in the television set.
A piano has black and white teeth
and it eats songs.
Everything I write with this pencil is true.
The rose tells the news of the day
but I can't read it.
The sky knows how but it won't tell me.
Under the hill dead sailors dance hornpipes.
The pylons are the masts of their wrecked ships.
The barbed wire fences catch poems from the sky.
The ladder is for birds with broken wings.
The egg contains oceans. If you break it
we will all drown.
And here is a bonus question:
I have been thinking about poetry of place, and specifically England and Scotland. I'm looking for poems set in the places I want to visit. I'm having a hard time coming up with any. There is Robert Burns of course, for Scotland - quite a few places mentioned in his poems. And A.E. Housman's "A Shropshire Lad". Then from Wordsworth I have his sonnet composed on Westminster Bridge, and another poem set near Tintern Abbey (which I have yet to look for on a map). Gerard Manley Hopkins has "Inversnaid" and there is Rupert Brooke's "Old Vicarage, Grantchester". (Where is Grantchester? I thought this was the old vicarage at Grantham - where some of my husband's forbears come from - until I checked on google and found that it was Grantchester after all).
This seems like a rather short list from hundreds of years of British poetry, and I would be grateful for any suggestions to add to it. I prefer modern or modernish poetry, but will take all suggestions. Thanks!
Wednesday, November 15, 2006
Hmmmm...
I stopped off at the library on the way home to pick up "Winters Bone" by Daniel Woodrell. Tara at Paris Parfait is hosting a discussion of the book for the online Third Day Book Club, so I am deciding whether to join in. Then I went to the shelves of the latest "read in the library only" magazines and sat down with Oprah for a while. It was the issue with a bunch of "how tos". Including "how to lose 4 - 6 pounds in two weeks." Well, OK - my wait loss plan isn't going that quickly, but it's a believable amount. Except that then the writer concerned claimed that she lost 4-6 pounds and one whole dress size. Hello?
Over the years I have put on 25 kgs. Actually, probably a bit more. 25kg is around 55 pounds. So by the above reckoning that should be 11 dress sizes! In that time I have gone from a size 12 to a size 18 (that's British sizing, various websites seem to be agreed that American sizing is smaller, but they don't agree on how much smaller). Anyway, by my reckoning that is three dress sizes. Apparently by some reckoning it's six dress sizes, but since you can't buy size 13, 15 or 17 I don't quite see it. Anyway, I have lost 6kgs so far - about 13 pounds - and I am still wearing the same clothes, and my pants haven't fallen down for want of a belt yet. So either the author is very short or there is something very strange going on.
And another thing - this week is Show Week in Christchurch. This is a big deal. Every other part of New Zealand celebrates the provincial anniversary day as a public holiday, but in Christchurch we ignore the provincial anniversary and have a public holiday on Show Day instead. And half of Christchurch also takes a de facto public holiday on Cup Day (yesterday) so they can go and dress up in fancy frocks and hats and get drunk at the races.
Anyway, the City Council apparently has a tent at the show (along with the sheep, cows and tractors). It will have information on, among other things, free things families can do in Christchurch. Except that to get this information, you have to pay to get in to the show. $16 for an adult, $8 for a child. There is probably a discounted family ticket too but I didn't investigate that far. I took the kids to the show one year and told them "that's it, you've been, don't ask me again." I let their teachers take them on school trips instead - so now I don't have to brave the crowds again until I have grandchildren. Which at the rate they are going will be somewhere the other side of never.
The above rambling is mostly because I can't yet post more holiday details. It is the 15th in the US but bookings for that date are still not showing up on the time share company's computer. However, the 14th is, so maybe tomorrow? And if I still have nothing to report tomorrow, well at least it is Poetry Thursday.
Over the years I have put on 25 kgs. Actually, probably a bit more. 25kg is around 55 pounds. So by the above reckoning that should be 11 dress sizes! In that time I have gone from a size 12 to a size 18 (that's British sizing, various websites seem to be agreed that American sizing is smaller, but they don't agree on how much smaller). Anyway, by my reckoning that is three dress sizes. Apparently by some reckoning it's six dress sizes, but since you can't buy size 13, 15 or 17 I don't quite see it. Anyway, I have lost 6kgs so far - about 13 pounds - and I am still wearing the same clothes, and my pants haven't fallen down for want of a belt yet. So either the author is very short or there is something very strange going on.
And another thing - this week is Show Week in Christchurch. This is a big deal. Every other part of New Zealand celebrates the provincial anniversary day as a public holiday, but in Christchurch we ignore the provincial anniversary and have a public holiday on Show Day instead. And half of Christchurch also takes a de facto public holiday on Cup Day (yesterday) so they can go and dress up in fancy frocks and hats and get drunk at the races.
Anyway, the City Council apparently has a tent at the show (along with the sheep, cows and tractors). It will have information on, among other things, free things families can do in Christchurch. Except that to get this information, you have to pay to get in to the show. $16 for an adult, $8 for a child. There is probably a discounted family ticket too but I didn't investigate that far. I took the kids to the show one year and told them "that's it, you've been, don't ask me again." I let their teachers take them on school trips instead - so now I don't have to brave the crowds again until I have grandchildren. Which at the rate they are going will be somewhere the other side of never.
The above rambling is mostly because I can't yet post more holiday details. It is the 15th in the US but bookings for that date are still not showing up on the time share company's computer. However, the 14th is, so maybe tomorrow? And if I still have nothing to report tomorrow, well at least it is Poetry Thursday.
Tuesday, November 14, 2006
The Gestation Period of the Human is...
Nine and a half months. Actually it is 38 weeks. It was only when I was pregnant that I found it the 40 weeks is counted from the first day of the last period, which means that you are two weeks pregnant before you are actually pregnant.
What does this have to do with anything? Well, today I booked a timeshare week in England for 8th September next year. But we will leave here around the 1st September which means that I have to wait about as long as I waited for any of my children to be born. Five times. Enough times for me to know I don't do well with waiting.
I was going to book another week in Scotland for the 15th. Only it turns out that even though it was the 15th November here it was still the 14th in the USA where the timeshare company website was based, so the bookings weren't open for that week yet. So I'll try again tomorrow. Watch this space.
I'd blog about something really interesting, but I'm kind of excited and antsy about this. I just have to figure out how to stop being excited about it for about eight and a half months so I can get something else done.
What does this have to do with anything? Well, today I booked a timeshare week in England for 8th September next year. But we will leave here around the 1st September which means that I have to wait about as long as I waited for any of my children to be born. Five times. Enough times for me to know I don't do well with waiting.
I was going to book another week in Scotland for the 15th. Only it turns out that even though it was the 15th November here it was still the 14th in the USA where the timeshare company website was based, so the bookings weren't open for that week yet. So I'll try again tomorrow. Watch this space.
I'd blog about something really interesting, but I'm kind of excited and antsy about this. I just have to figure out how to stop being excited about it for about eight and a half months so I can get something else done.
Sunday, November 12, 2006
Sunday Scribblings: Passengers
"I don't want to be a passenger in my own life" - Diane Ackerman
I have an immediate sense of what this quote means, but does it hold up on thinking about it more closely? She is talking, I think, about taking control. About not being passive. Being a passenger conjures up images of those long family trips, children in the back seat of the car saying "Are we nearly there yet?" Of course, they had little say over where "there" might be - and they may have no clear idea of where "there" is going to be when they get there. It was mum and dad who chose.
The other night at our quilt group we had an inspiring speaker: an embroiderer who for the past twentyfive years has been cycling around Europe. No, not non-stop! But each year at least, she takes a trip for around two months at a time, staying in camping grounds, alone, and seeing whatever she pleases when she pleases. She is free to travel at the speed she wants and stop when she wants.
Being a passenger means giving up that control over our lives. But who is in total control, really? The most independent minded person - one who is self-employed, who lives alone,who never asks or receives favours from anyone, still depends on a vast number of other people for their existence. They are not independent of the laws of the land. They are not independent of the laws of nature. They can't always dictate their physical health. They rely on those who produce the goods in the shops, who do the medical research, who get the oil out of the ground and transport it, and many many more. And it's lonely, living alone. We might want companions - but we can't make all the decisions for them. As soon as we share our lives with someone else we have to give up some of the control.
It's good to be a passenger sometimes. When I head to the UK next year I'll be a passenger in the plane that takes me there. That's my decision. I don't want to sail a yacht around the world. When we get there I'll be a passenger in the car much of the time while my husband drives. Of course, we'll probably share. But you can see more if you're not concentrating on the driving. If I went alone I could make all the decisions about what to see, instead of only some of them. But I don't want to go alone. So I give up some control for companionship, and someone to rely on in case of difficulty. If we didn't plan to drive, we could use trains and buses and guided tours. Passengers again.
There are many kinds of passengers. Those who go through life trying to avoid decisions altogether, like the children in the back seat of the car. Will they recognise "there" when they arrive? And there are those who make decisions which shape the course of their lives, like those who board the plane for the round the world trip. They may give up control, but it is because they think they know where that decision will take them. And sometimes they might even buy a ticket for a mystery trip, not knowing where they are headed, but sure it will shake up their lives a little.
We are all passengers much of the time. Which sort of passenger are you?
More Sunday Scribblings here.
I have an immediate sense of what this quote means, but does it hold up on thinking about it more closely? She is talking, I think, about taking control. About not being passive. Being a passenger conjures up images of those long family trips, children in the back seat of the car saying "Are we nearly there yet?" Of course, they had little say over where "there" might be - and they may have no clear idea of where "there" is going to be when they get there. It was mum and dad who chose.
The other night at our quilt group we had an inspiring speaker: an embroiderer who for the past twentyfive years has been cycling around Europe. No, not non-stop! But each year at least, she takes a trip for around two months at a time, staying in camping grounds, alone, and seeing whatever she pleases when she pleases. She is free to travel at the speed she wants and stop when she wants.
Being a passenger means giving up that control over our lives. But who is in total control, really? The most independent minded person - one who is self-employed, who lives alone,who never asks or receives favours from anyone, still depends on a vast number of other people for their existence. They are not independent of the laws of the land. They are not independent of the laws of nature. They can't always dictate their physical health. They rely on those who produce the goods in the shops, who do the medical research, who get the oil out of the ground and transport it, and many many more. And it's lonely, living alone. We might want companions - but we can't make all the decisions for them. As soon as we share our lives with someone else we have to give up some of the control.
It's good to be a passenger sometimes. When I head to the UK next year I'll be a passenger in the plane that takes me there. That's my decision. I don't want to sail a yacht around the world. When we get there I'll be a passenger in the car much of the time while my husband drives. Of course, we'll probably share. But you can see more if you're not concentrating on the driving. If I went alone I could make all the decisions about what to see, instead of only some of them. But I don't want to go alone. So I give up some control for companionship, and someone to rely on in case of difficulty. If we didn't plan to drive, we could use trains and buses and guided tours. Passengers again.
There are many kinds of passengers. Those who go through life trying to avoid decisions altogether, like the children in the back seat of the car. Will they recognise "there" when they arrive? And there are those who make decisions which shape the course of their lives, like those who board the plane for the round the world trip. They may give up control, but it is because they think they know where that decision will take them. And sometimes they might even buy a ticket for a mystery trip, not knowing where they are headed, but sure it will shake up their lives a little.
We are all passengers much of the time. Which sort of passenger are you?
More Sunday Scribblings here.
Saturday, November 11, 2006
Fun with a Scanner
A few weeks ago P. bought me a scanner. I had been wanting one for a while. Of course we have a scanner. Or two. And an endless supply of computers to hook them up to. Unfortunately the scanners seem to be picky about which computer they will hook up with, owing to changes in interfaces. So now I have a scanner on my computer instead of having to scan to another computer, and then transfer all the files over the network. Much simpler especially since my daughter is usually using the other computer.
It's not only a scanner, it is also a printer. It happened to be cheaper than buying either a scanner or printer separately. Of course, the reason that scanners and printers are so cheap is that they make money from selling ink. I'm about to help them out in that regard..
I've been scanning vast quantities of historic family photos.
This is me - much younger of course - in the paddling pool at the Christchurch Botanic Gardens. We didn't live in Christchurch then, but my father's family did, and we came down on the overnight ferry almost every year on holiday.
A family picnic - before I was born, but that's my elder brother on my grandmother's knee on the far left. My mum is third from the left, my dad is third from the right, and my grandfather is on the far right. He's the one I wrote about last Sunday in my "Sunday Scribblings" - he left Scotland as a boy of six when his father's bakery went bankrupt. going on picnics seemed to be the main form of family entertainment back then. Either by car when we stayed with our aunts and uncles, or by bus or train or even on foot (we lived close to the beach) when it was just us, since we didn't have a car until I was about ten or so.
And then, just for a change, I scanned some cigarette cards. These were in an album I found lying in the street some years back. I've printed some onto fabric and am contemplating how I might use them in a quilt or similar item - maybe Artist Trading Cards. I haven't quite decided yet. Searching on google suggests these were produced during the 1920s and 1930s so they should be out of copyright.
Part of the "Happy Families" cigarette card series, from the 1920s. Of course being cigarette cards, many of the characters are smoking.
Some of the children in the "children of the world" series are rather cute, even if outdated. In fact I think they were probably outdated even when produced. I'm pretty sure the New Zealand Maori gave up their traditional costumes a long time ago, except for putting on a show for tourists.
It's not only a scanner, it is also a printer. It happened to be cheaper than buying either a scanner or printer separately. Of course, the reason that scanners and printers are so cheap is that they make money from selling ink. I'm about to help them out in that regard..
I've been scanning vast quantities of historic family photos.
This is me - much younger of course - in the paddling pool at the Christchurch Botanic Gardens. We didn't live in Christchurch then, but my father's family did, and we came down on the overnight ferry almost every year on holiday.
A family picnic - before I was born, but that's my elder brother on my grandmother's knee on the far left. My mum is third from the left, my dad is third from the right, and my grandfather is on the far right. He's the one I wrote about last Sunday in my "Sunday Scribblings" - he left Scotland as a boy of six when his father's bakery went bankrupt. going on picnics seemed to be the main form of family entertainment back then. Either by car when we stayed with our aunts and uncles, or by bus or train or even on foot (we lived close to the beach) when it was just us, since we didn't have a car until I was about ten or so.
And then, just for a change, I scanned some cigarette cards. These were in an album I found lying in the street some years back. I've printed some onto fabric and am contemplating how I might use them in a quilt or similar item - maybe Artist Trading Cards. I haven't quite decided yet. Searching on google suggests these were produced during the 1920s and 1930s so they should be out of copyright.
Part of the "Happy Families" cigarette card series, from the 1920s. Of course being cigarette cards, many of the characters are smoking.
Some of the children in the "children of the world" series are rather cute, even if outdated. In fact I think they were probably outdated even when produced. I'm pretty sure the New Zealand Maori gave up their traditional costumes a long time ago, except for putting on a show for tourists.
Thursday, November 09, 2006
How to Publish a Book
I am not following the prompt for Poetry Thursday this week, which was to take an "Artist date" : I did in fact take an artist date but didn't want to commit myself to writing about it afterwards, like a school report.
Carrying on from a discussion on Poet Mom's blog, I thought I would tell you about our small poetry group and how we applied for a grant and published a book of poems. And yes, there is a poem at the bottom of the post - you can skip to that if you prefer.
The grant application process is probably similar in the United States than in New Zealand, though I imagine there are a lot more alternatives there to apply for. I can't tell you how to find grant providers in the US - in New Zealand the main national funding agency for the arts is Creative New Zealand, whereas for more local projects there is Creative Communities - the same funding provider but with some of the responsibility delegated to local bodies. This is the one we applied to.
The most important thing with a grant application is to read the guidelines, and come up with a proposal that fits the guidelines. Our project wasn't limited to publishing a book of our poetry. It involved getting an experienced poet to mentor the group, provide workshops and edit the manuscript - thus providing income for her, and growth in our field of the arts for us. We had to set out our budget carefully, showing what part of the budget would come from ourselves (or from sales) and what the money would be spent on. And of course, report back when the project was completed.
We couldn't have done this in isolation. The poetry scene in New Zealand is rather small. We attended the same workshops (that is how the group got started, I asked people I met in workshops who I felt I "clicked" with to join me). We attended poetry readings of the Canterbury Poets Collective. This is not as "communist" as it sounds! - merely a local committee which organises readings with invited poets from around New Zealand and an "open mic" first half. There are really only two regular open mic venues in Christchurch - this one which is for reading poetry, and an alternative mostly younger group which is more into performance poetry - the whole "poetry slam" type of scene. Similarly there are two main locally edited magazines for poetry and prose - the more conservative Takahe and the more hip Catalyst. There are others nationwide, of course, but not many compared to say the USA.
By attending readings, submitting poems to journals, and working on committees of various kinds (not all of us, but different members of the group in different capacities) we got to know most of the established local poets. Hence it was easy to find people to write recommendations on our application for funding. There is no particular magic about grant applications - it is really a matter of reading the guidelines and making sure your application fits (and of course, getting it in by the due date).
Once we had the funding it took not quite a year to get the book out - first workshops, then choosing the poems, selecting and editing. We commissioned a student artist to do a drawing for the cover design. One of the group's husbands did the back cover photo. My own husband did the layout using Adobe InDesign. We talked to a local printer who specialises in short run digital printing of books and magazines. They have a very helpful booklet detailing the requirements for formatting of files. I wouldn't hesitate to use the same printer again as they were so helpful. We decided on a print run (200 copies - rather nervously in case we had a lot left over, but it would be dearer to have two print runs of 100 copies at a time). We set a price.
With the books at the printer I went away on holiday and let others in the group organise the book launch. We hooked onto a local book festival which meant we were able to get a venue free, and bought wine, juice and made sandwiches, mini muffins etc for the catering. We sent out invitations to the mailing list of the Poets Collective, and also to friends and relatives, as well as advertising in the book festival programme. We invited a local poet to be MC - he did a splendid job - and we each read a couple of our poems. We signed lots of copies! We were also invited to read on a local access radio station, as part of their books segment of Women on Air.
We sent out a lot of review copies, and we also obtained a list of all the libraries in New Zealand, and sent out an advertising flyer to them. (There are about 4 million people in New Zealand. In the US I would be thinking statewide, or perhaps concentrating on a smaller area in some of the more populous states). We also had a few small independent bookstores stock the book. This came in handy when friends on international e-mail lists wanted to buy a copy, as they were able to order on line by credit card and we didn't have to deal with foreign currency.
That's about it - we had a lot of fun and are set to do it again next year, if our grant application is successful. In fact as we have some money left from the last book, I think we could just about afford to do it without a grant if we raise the price a little. I do think "self publishing" is different from vanity publishing - the latter to my mind being where you pay a publisher a large sum to publish your book, and eventually end up with a large pile of books and a hole in your pocket. With self-publishing there is a realistic expectation of making a profit. It is far easier in New Zealand to self publish poetry, as it is a fairly uneconomic genre for most publishers to take on any but the most well-known poets - even then, there is usually a grant involved to subsidise the costs.
As I promised a poem at the end of the post, here is one from the book:
Songs and Dances of Death
What they did not know was that the curious fertility of the soil came about because they stood on an ancient battlefield. Sometimes they would turn up old bones and once, a skull. They took it to the priest for burial and returned to their ploughing. At night they told the old stories. If you had asked “Can’t you hear the dead crying out?” they would say “It’s only the wind in the wheat”
*
All summer I read of these things.
In my garden the weeds grew lank.
It rained often. On the path
I could barely make out a small bundle of feathers
and bones
*
In the museum there is a dark blue velvet
cloth. It has covered many at their burials.
As well seek them in the night sky as here
their trace as faint
*
It is because of their deaths that we have come
*
this poem is not a sarcophagus
this poem is not a mausoleum
this poem is a brown cardboard box
sufficient to bury one dead blackbird
found on my garden path
Carrying on from a discussion on Poet Mom's blog, I thought I would tell you about our small poetry group and how we applied for a grant and published a book of poems. And yes, there is a poem at the bottom of the post - you can skip to that if you prefer.
The grant application process is probably similar in the United States than in New Zealand, though I imagine there are a lot more alternatives there to apply for. I can't tell you how to find grant providers in the US - in New Zealand the main national funding agency for the arts is Creative New Zealand, whereas for more local projects there is Creative Communities - the same funding provider but with some of the responsibility delegated to local bodies. This is the one we applied to.
The most important thing with a grant application is to read the guidelines, and come up with a proposal that fits the guidelines. Our project wasn't limited to publishing a book of our poetry. It involved getting an experienced poet to mentor the group, provide workshops and edit the manuscript - thus providing income for her, and growth in our field of the arts for us. We had to set out our budget carefully, showing what part of the budget would come from ourselves (or from sales) and what the money would be spent on. And of course, report back when the project was completed.
We couldn't have done this in isolation. The poetry scene in New Zealand is rather small. We attended the same workshops (that is how the group got started, I asked people I met in workshops who I felt I "clicked" with to join me). We attended poetry readings of the Canterbury Poets Collective. This is not as "communist" as it sounds! - merely a local committee which organises readings with invited poets from around New Zealand and an "open mic" first half. There are really only two regular open mic venues in Christchurch - this one which is for reading poetry, and an alternative mostly younger group which is more into performance poetry - the whole "poetry slam" type of scene. Similarly there are two main locally edited magazines for poetry and prose - the more conservative Takahe and the more hip Catalyst. There are others nationwide, of course, but not many compared to say the USA.
By attending readings, submitting poems to journals, and working on committees of various kinds (not all of us, but different members of the group in different capacities) we got to know most of the established local poets. Hence it was easy to find people to write recommendations on our application for funding. There is no particular magic about grant applications - it is really a matter of reading the guidelines and making sure your application fits (and of course, getting it in by the due date).
Once we had the funding it took not quite a year to get the book out - first workshops, then choosing the poems, selecting and editing. We commissioned a student artist to do a drawing for the cover design. One of the group's husbands did the back cover photo. My own husband did the layout using Adobe InDesign. We talked to a local printer who specialises in short run digital printing of books and magazines. They have a very helpful booklet detailing the requirements for formatting of files. I wouldn't hesitate to use the same printer again as they were so helpful. We decided on a print run (200 copies - rather nervously in case we had a lot left over, but it would be dearer to have two print runs of 100 copies at a time). We set a price.
With the books at the printer I went away on holiday and let others in the group organise the book launch. We hooked onto a local book festival which meant we were able to get a venue free, and bought wine, juice and made sandwiches, mini muffins etc for the catering. We sent out invitations to the mailing list of the Poets Collective, and also to friends and relatives, as well as advertising in the book festival programme. We invited a local poet to be MC - he did a splendid job - and we each read a couple of our poems. We signed lots of copies! We were also invited to read on a local access radio station, as part of their books segment of Women on Air.
We sent out a lot of review copies, and we also obtained a list of all the libraries in New Zealand, and sent out an advertising flyer to them. (There are about 4 million people in New Zealand. In the US I would be thinking statewide, or perhaps concentrating on a smaller area in some of the more populous states). We also had a few small independent bookstores stock the book. This came in handy when friends on international e-mail lists wanted to buy a copy, as they were able to order on line by credit card and we didn't have to deal with foreign currency.
That's about it - we had a lot of fun and are set to do it again next year, if our grant application is successful. In fact as we have some money left from the last book, I think we could just about afford to do it without a grant if we raise the price a little. I do think "self publishing" is different from vanity publishing - the latter to my mind being where you pay a publisher a large sum to publish your book, and eventually end up with a large pile of books and a hole in your pocket. With self-publishing there is a realistic expectation of making a profit. It is far easier in New Zealand to self publish poetry, as it is a fairly uneconomic genre for most publishers to take on any but the most well-known poets - even then, there is usually a grant involved to subsidise the costs.
As I promised a poem at the end of the post, here is one from the book:
Songs and Dances of Death
What they did not know was that the curious fertility of the soil came about because they stood on an ancient battlefield. Sometimes they would turn up old bones and once, a skull. They took it to the priest for burial and returned to their ploughing. At night they told the old stories. If you had asked “Can’t you hear the dead crying out?” they would say “It’s only the wind in the wheat”
All summer I read of these things.
In my garden the weeds grew lank.
It rained often. On the path
I could barely make out a small bundle of feathers
and bones
In the museum there is a dark blue velvet
cloth. It has covered many at their burials.
As well seek them in the night sky as here
their trace as faint
It is because of their deaths that we have come
this poem is not a sarcophagus
this poem is not a mausoleum
this poem is a brown cardboard box
sufficient to bury one dead blackbird
found on my garden path
Wednesday, November 08, 2006
The Gorge
The weather has not been too great this week. I keep thinking of Ali and Jude on their tour round the South Island, and hoping they get to see some scenery through the rain. It was fine this afternoon, but I was delayed at work, so by the time I got out for my walk it started to rain. It cleared just long enough for the walk, and then near the end it started up again, so that I finished in the rain, and it has been raining ever since.
I walked in the gorge that I was looking down on yesterday.
From here I couldn't see that the path continued over the rocks and under the base of the cliff - so I took the other path up around the cliff and along the top of the cliffs. It proved to be precarious and a very up and down affair - I was glad to have hands.
Near the top of the wooded part it is more open. Just above here it becomes farmland again, similar to my other walking territory (photos in an earlier post).
The stream at the foot of the cliffs. I returned along the lower track by the stream, it was a lot easier (but then, downhill always is).
New Zealand flax (last season's flowers).
I walked in the gorge that I was looking down on yesterday.
From here I couldn't see that the path continued over the rocks and under the base of the cliff - so I took the other path up around the cliff and along the top of the cliffs. It proved to be precarious and a very up and down affair - I was glad to have hands.
Near the top of the wooded part it is more open. Just above here it becomes farmland again, similar to my other walking territory (photos in an earlier post).
The stream at the foot of the cliffs. I returned along the lower track by the stream, it was a lot easier (but then, downhill always is).
New Zealand flax (last season's flowers).
Tuesday, November 07, 2006
Haibun
I awake to the sound of steady rain, an unwelcome change from the warm sunny weather we have been having. I don't want to miss out on my daily walk, so I do household chores and some writing and hope that the rain clears. By mid afternoon it has stopped, though the sky is still heavily overcast.
I head out in my car and park at the base of the hill. I am looking for a little more challenge than the easy track I have been practising on. I look at the steep hill to my right. Hills like this one are the reason I haven't been orienteering much this year. Looking from the bottom to the top, thinking "I have to get up there" is a little daunting. But I am not orienteering, and hence there is a track to follow, which zigzags gradually up the steep slope. It is narrow and the surface is damp, but the hardpacked earth has not turned to mud. Long grasses on each side bend inwards so that the seed heads greet each other. They remind me of a guard of honour with crossed swords or rifles. They brush my trousers, making them damp, but not too wet to be bearable. The zigzags of the track are almost level in places, but at each turn of the track, I climb a little higher. Eventually I reach a spot where the track becomes indistinct as it passes over bare rock. I take what I think is the right direction to a plane table which identifies features on the horizon.
It is quiet on the track. I hear distant traffic, the thwack of my track shoes on the path, the swish of my rain jacket. Even the sheep have gone elsewhere. The tops of the hills have disappeared into the clouds. When I think I have climbed high enough, I turn and descend down the other side of the spur.
the rocky gorge
cliffs topped with pines
river runs below
I reach a gate and finish my walk along a road which leads me back to the car park.
alone in the car park
my only companions
starlings on wet grass
[Haibun is a passage of prose which includes haiku. It is a form that has been used historically in Japan for poetic diaries. I am also currently reading a travel book which takes a similar form: "Here Comes Another Vital Moment" by New Zealand writer Diane Brown. I like the idea of using this form for a journal of a trip, and am contemplating trying it when I go to the UK next year.
Haibun is this week's topic at onedeepbreath, where you can find links to examples from other bloggers.]
I head out in my car and park at the base of the hill. I am looking for a little more challenge than the easy track I have been practising on. I look at the steep hill to my right. Hills like this one are the reason I haven't been orienteering much this year. Looking from the bottom to the top, thinking "I have to get up there" is a little daunting. But I am not orienteering, and hence there is a track to follow, which zigzags gradually up the steep slope. It is narrow and the surface is damp, but the hardpacked earth has not turned to mud. Long grasses on each side bend inwards so that the seed heads greet each other. They remind me of a guard of honour with crossed swords or rifles. They brush my trousers, making them damp, but not too wet to be bearable. The zigzags of the track are almost level in places, but at each turn of the track, I climb a little higher. Eventually I reach a spot where the track becomes indistinct as it passes over bare rock. I take what I think is the right direction to a plane table which identifies features on the horizon.
It is quiet on the track. I hear distant traffic, the thwack of my track shoes on the path, the swish of my rain jacket. Even the sheep have gone elsewhere. The tops of the hills have disappeared into the clouds. When I think I have climbed high enough, I turn and descend down the other side of the spur.
cliffs topped with pines
river runs below
I reach a gate and finish my walk along a road which leads me back to the car park.
my only companions
starlings on wet grass
[Haibun is a passage of prose which includes haiku. It is a form that has been used historically in Japan for poetic diaries. I am also currently reading a travel book which takes a similar form: "Here Comes Another Vital Moment" by New Zealand writer Diane Brown. I like the idea of using this form for a journal of a trip, and am contemplating trying it when I go to the UK next year.
Haibun is this week's topic at onedeepbreath, where you can find links to examples from other bloggers.]
Labels:
Christchurch,
haiku,
One Deep Breath
Sunday, November 05, 2006
Sunday Scribblings: Morning
For my regulars: there are two posts today, so scroll down if you have missed the other (catching up because blogger wouldn't let me post yesterday). This is my contribution for the Sunday Scribblings prompt "morning" - a fictionalized account of my grandfather's last morning as a small boy in Scotland.
**********
Johnny stirred in his sleep. Strange bumping sounds were coming through the floor from the room below. He sighed slightly, and rolled over. The Scots of 1880 were early risers, but not this early. He sank deeper into his dreams, until he felt a hand on his shoulder, shaking him awake.
“Johnny, Jessie, Tammas, time to get up”.
Johnny was bewildered. It was still dark. A dim glimmer of gaslight came through the window. There were no cart sounds in the street outside.
“”But it’s..” he started to protest.
“Hush now” his mother said. “Get yeself dressed quietly now, shild I help Tam.” Thomas was not yet two, and still in skirts.
“We’re going to visit cousin William in Glasgow. We need to be ready for the coach.”
The children dressed and stumbled downstairs, still sleepy. Cousin Andrew was there, with their father. They had a big trunk between them. Their mother was packing a few things into it. Johnny glanced at the big coal range, but the fire was out and there was no bubbling pot of porridge. That was strange. Things hadn’t been quite right lately. There had been no bread baked in his father’s bakery for several weeks. No women coming to the store with baskets. The door was shut and there were posters plastered on the windows. The only visitors were men in fancy hats who took away the big ledgers his mother had laboured over in the evenings. She followed his glance now.
“Cousin Annie will give ye your breakfast” she said. “We’re calling on her first afore we catch the coach.” She took a photograph from the shelf and put it in the top of the trunk, moving the others along so the gap didn’t show.
“Come along now’, she said, and then to her husband “Come John, put the whisky bottle away, you’ll need your wits aboot you on the journey.”
He and cousin Andrew picked up the big trunk, and mother and children followed them through the streets of Stirling to cousin Annie’s grand house. Cousin Andrew was a schoolmaster, and better-off than most. When they arrived the men added the big trunk to a pile in the middle of the kitchen. There was much hugging and kissing by the women. Cousin Annie was mother’s best friend. Finally they broke apart.
“Whisht noo” said cousin Annie “the bairns will be hungry”.
And she set out plates of steaming oatmeal on the big kitchen table. Johnny wanted to play with his cousin Willie, but he wasn’t up yet. When Isabella and Willie did get up, they were busy with their breakfast, and their shoe shining, and gathering up their school books. Meanwhile several sturdy big lads had arrived to help with the pile of trunks. Another short walk took them all to the corner where they would catch the coach to Glasgow. There was more hugging and kissing, more than usual. Johnny thought it was strange. Cousin Annie tried to hug him too, but he didn’t want to be kissed, and thrust his hand out for a manly shake, the way his father would. Cousin Annie laughed, and shook his hand. “Well, ye’re a big lad noo”, she said.
When the coach came, there was a space up front by the driver, Johnny begged to sit where he could watch the horses. “Away with ye then” said his father, and he clambered up eagerly, while his parents sat inside with the wee uns. “Take care, d’ye hear?” said cousin Annie, as the horses started to move off. His mother waved and waved, even after they turned the corner, until the town had shrunk away into the distance down the long Dumbarton Road…..
It was most of the morning before the coach arrived at Glasgow. When they pulled into the coach stop, Johnny looked around for cousin Willie, a stern old man, but there was no one in sight. He was just wondering if they would have to find their own way, when his mother tugged at his arm.
“Come along now”, she said “we’re taking anither coach” and she gestured towards a bigger, shinier coach alongside.
“Will it take us to cousin William’s?” Johnny asked, bewildered.
“Hush now, bide a wee” his mother replied, “ye’ll see in a while”.
There was no room by the driver in this coach. Other passengers had taken the coveted spot already, so Johnny had to ride inside with his family. His father sang merry songs and told jokes which made the wee ones laugh and forget for a while that they were tired of sitting still. The coach made its way through the busy Glasgow streets, and Johnny tried to remember what cousin William’s house looked like. But gradually the houses thinned out, and then they were in open fields, getting away from the city.
Johnny fidgeted.
“I need to…” he looked at his mother.
“Can ye wait?” she asked “until they stop to change the horses.”
“I think so,” said Johnny, though he wasn’t to sure. And fifteen minutes later, he was fidgeting more than ever. His mother knocked on the front of the carriage to attract the attention of the coachman. The coach stopped. Mother watched while Johnny and some of the other passengers relieved themselves behind the bushes. Then she took Johnny aside to help with his buttons.
“When will we get to cousin William’s?” he asked.
His mother looked around. They were a little way from the other passengers. “We’re not going to cousin William’s” his mother said. “They’ll think we’re there, and if they don’t find us there, they’ll search at the Glasgow docks. So we’re going to London to catch a boat. We’re going to New Zealand to see Uncle James and Uncle John.”
“Will it take long?” Johnny had only a vague idea about New Zealand. Letters came sometimes from his uncles, who he had never met. “Will it take a whole week?”
“It will take three months” said his mother.
“Three months! Will I be back before my birthday?”
“We’re not coming back” she replied.
“Not coming back?” Johnny was astonished. And then he was dismayed “But I left my football!”
“Your uncles will get you a new football” said his mother. “We had to leave things, it had to look as if we are coming back. Now hush, ye’re a big lad, it’s a secret mind you. Promise me ye’ll say nothing more, until we are safely awa’ from London."
************
More morning musings here
**********
Johnny stirred in his sleep. Strange bumping sounds were coming through the floor from the room below. He sighed slightly, and rolled over. The Scots of 1880 were early risers, but not this early. He sank deeper into his dreams, until he felt a hand on his shoulder, shaking him awake.
“Johnny, Jessie, Tammas, time to get up”.
Johnny was bewildered. It was still dark. A dim glimmer of gaslight came through the window. There were no cart sounds in the street outside.
“”But it’s..” he started to protest.
“Hush now” his mother said. “Get yeself dressed quietly now, shild I help Tam.” Thomas was not yet two, and still in skirts.
“We’re going to visit cousin William in Glasgow. We need to be ready for the coach.”
The children dressed and stumbled downstairs, still sleepy. Cousin Andrew was there, with their father. They had a big trunk between them. Their mother was packing a few things into it. Johnny glanced at the big coal range, but the fire was out and there was no bubbling pot of porridge. That was strange. Things hadn’t been quite right lately. There had been no bread baked in his father’s bakery for several weeks. No women coming to the store with baskets. The door was shut and there were posters plastered on the windows. The only visitors were men in fancy hats who took away the big ledgers his mother had laboured over in the evenings. She followed his glance now.
“Cousin Annie will give ye your breakfast” she said. “We’re calling on her first afore we catch the coach.” She took a photograph from the shelf and put it in the top of the trunk, moving the others along so the gap didn’t show.
“Come along now’, she said, and then to her husband “Come John, put the whisky bottle away, you’ll need your wits aboot you on the journey.”
He and cousin Andrew picked up the big trunk, and mother and children followed them through the streets of Stirling to cousin Annie’s grand house. Cousin Andrew was a schoolmaster, and better-off than most. When they arrived the men added the big trunk to a pile in the middle of the kitchen. There was much hugging and kissing by the women. Cousin Annie was mother’s best friend. Finally they broke apart.
“Whisht noo” said cousin Annie “the bairns will be hungry”.
And she set out plates of steaming oatmeal on the big kitchen table. Johnny wanted to play with his cousin Willie, but he wasn’t up yet. When Isabella and Willie did get up, they were busy with their breakfast, and their shoe shining, and gathering up their school books. Meanwhile several sturdy big lads had arrived to help with the pile of trunks. Another short walk took them all to the corner where they would catch the coach to Glasgow. There was more hugging and kissing, more than usual. Johnny thought it was strange. Cousin Annie tried to hug him too, but he didn’t want to be kissed, and thrust his hand out for a manly shake, the way his father would. Cousin Annie laughed, and shook his hand. “Well, ye’re a big lad noo”, she said.
When the coach came, there was a space up front by the driver, Johnny begged to sit where he could watch the horses. “Away with ye then” said his father, and he clambered up eagerly, while his parents sat inside with the wee uns. “Take care, d’ye hear?” said cousin Annie, as the horses started to move off. His mother waved and waved, even after they turned the corner, until the town had shrunk away into the distance down the long Dumbarton Road…..
It was most of the morning before the coach arrived at Glasgow. When they pulled into the coach stop, Johnny looked around for cousin Willie, a stern old man, but there was no one in sight. He was just wondering if they would have to find their own way, when his mother tugged at his arm.
“Come along now”, she said “we’re taking anither coach” and she gestured towards a bigger, shinier coach alongside.
“Will it take us to cousin William’s?” Johnny asked, bewildered.
“Hush now, bide a wee” his mother replied, “ye’ll see in a while”.
There was no room by the driver in this coach. Other passengers had taken the coveted spot already, so Johnny had to ride inside with his family. His father sang merry songs and told jokes which made the wee ones laugh and forget for a while that they were tired of sitting still. The coach made its way through the busy Glasgow streets, and Johnny tried to remember what cousin William’s house looked like. But gradually the houses thinned out, and then they were in open fields, getting away from the city.
Johnny fidgeted.
“I need to…” he looked at his mother.
“Can ye wait?” she asked “until they stop to change the horses.”
“I think so,” said Johnny, though he wasn’t to sure. And fifteen minutes later, he was fidgeting more than ever. His mother knocked on the front of the carriage to attract the attention of the coachman. The coach stopped. Mother watched while Johnny and some of the other passengers relieved themselves behind the bushes. Then she took Johnny aside to help with his buttons.
“When will we get to cousin William’s?” he asked.
His mother looked around. They were a little way from the other passengers. “We’re not going to cousin William’s” his mother said. “They’ll think we’re there, and if they don’t find us there, they’ll search at the Glasgow docks. So we’re going to London to catch a boat. We’re going to New Zealand to see Uncle James and Uncle John.”
“Will it take long?” Johnny had only a vague idea about New Zealand. Letters came sometimes from his uncles, who he had never met. “Will it take a whole week?”
“It will take three months” said his mother.
“Three months! Will I be back before my birthday?”
“We’re not coming back” she replied.
“Not coming back?” Johnny was astonished. And then he was dismayed “But I left my football!”
“Your uncles will get you a new football” said his mother. “We had to leave things, it had to look as if we are coming back. Now hush, ye’re a big lad, it’s a secret mind you. Promise me ye’ll say nothing more, until we are safely awa’ from London."
************
More morning musings here
Saturday Post on Sunday
(A note added after: blogger was being a pain when I tried to post this on Saturday. After quite a few hours I gave up and went to bed. I may just skip Sunday Scribblings today, and make this my Sunday post instead. Unless I do another post later).
I remember when I was a child, visiting my aunt who would talk about all sorts of people whom I had never heard of - her cousins, half-cousins, and other more or less distant relatives. I couldn't figure out why anyone would find these distant relatives interesting. And then I discovered genealogy - now I find it fascinating to find out how many people I am connected to, even if I have to go back two or three hundred years to find the connection!
I just spent a very pleasant couple of hours meeting my third cousin once removed, Alison, and her new husband Jude. They are visiting New Zealand on their honeymoon, having married in Scotland. Fortunately Ali and Jude seem to think that finding out where all the branches of the family came from and went to is as fascinating as I find it! We are hoping to meet again in Scotland next year. Ali's greatgreatgrandfather and my greatgrandfather were brothers. Thomas stayed in Scotland whereas John went bankrupt, and ran away to New Zealand, avoiding the bailiffs, where he went bankrupt again. Funnily enough he seems to have been successful in at least one endeavour which was breeding descendants - there seem to be far more of us now in New Zealand than there are back in Scotland.
Not a very flattering photograph of me, I'm afraid. I clearly have a wee way to go on my weight loss programme. (I'm sure you can figure out which one is me and which one is the young bride).
After meeting Ali and Jude at the Christchurch Arts Centre, I went into the Great Hall there to see our local quilt group's exhibition. It included a retrospective of prizewinning quilts from the last ten years. I had a chance to revisit my quilt which has been at my brother's for the last ten years (only brought out for honoured guests, I'm told, so it is still in very good condition). I took quite a few photos, but as a sign stated that photographs are for "personal enjoyment only unless permission is sought and given", I'm only showing mine here. There were a large variety from the very traditional to contemporary, bed quilts to wall hangings - some incorporating computer images on fabric and other very modern techniques.
This wee dog and its owner were giving a performance on the street outside.
I didn't go to the exhibition opening on Thursday night - in fact it slipped my mind completely - but during the evening there was a knock on my door, it was one of the quilt group members dropping off a bunch of flowers. All those who had a quilt in the ten year retrospective were given a bouquet. And they were my favourite colour, yellow, too!
I remember when I was a child, visiting my aunt who would talk about all sorts of people whom I had never heard of - her cousins, half-cousins, and other more or less distant relatives. I couldn't figure out why anyone would find these distant relatives interesting. And then I discovered genealogy - now I find it fascinating to find out how many people I am connected to, even if I have to go back two or three hundred years to find the connection!
I just spent a very pleasant couple of hours meeting my third cousin once removed, Alison, and her new husband Jude. They are visiting New Zealand on their honeymoon, having married in Scotland. Fortunately Ali and Jude seem to think that finding out where all the branches of the family came from and went to is as fascinating as I find it! We are hoping to meet again in Scotland next year. Ali's greatgreatgrandfather and my greatgrandfather were brothers. Thomas stayed in Scotland whereas John went bankrupt, and ran away to New Zealand, avoiding the bailiffs, where he went bankrupt again. Funnily enough he seems to have been successful in at least one endeavour which was breeding descendants - there seem to be far more of us now in New Zealand than there are back in Scotland.
Not a very flattering photograph of me, I'm afraid. I clearly have a wee way to go on my weight loss programme. (I'm sure you can figure out which one is me and which one is the young bride).
After meeting Ali and Jude at the Christchurch Arts Centre, I went into the Great Hall there to see our local quilt group's exhibition. It included a retrospective of prizewinning quilts from the last ten years. I had a chance to revisit my quilt which has been at my brother's for the last ten years (only brought out for honoured guests, I'm told, so it is still in very good condition). I took quite a few photos, but as a sign stated that photographs are for "personal enjoyment only unless permission is sought and given", I'm only showing mine here. There were a large variety from the very traditional to contemporary, bed quilts to wall hangings - some incorporating computer images on fabric and other very modern techniques.
This wee dog and its owner were giving a performance on the street outside.
I didn't go to the exhibition opening on Thursday night - in fact it slipped my mind completely - but during the evening there was a knock on my door, it was one of the quilt group members dropping off a bunch of flowers. All those who had a quilt in the ten year retrospective were given a bouquet. And they were my favourite colour, yellow, too!
Thursday, November 02, 2006
Poetry Thursday: Favourite Lines
I had better get this done before I go to bed, or it won't be Thursday any more. Or at least, it will for some of you, but not for me. I have been trying to be more productive lately, and started writing down approximately what I do each day and how long it takes. Seeing it in writing seems to help me to get more done. It also stops me from giving myself a hard time about not doing more at the weekend - I realised that on Sunday, by the time I've slept in, made something for lunch, done the lunch dishes, cooked dinner and done the dinner dishes there isn't much of Sunday left. And if I throw in some laundry and ironing...
The offspring each get one night a week to cook, and a couple of turns on dishes. But I get to do the dishes on the nights that no one wanted. That leaves me with all of Sunday - their excuses being that they are generally working on last minute assignments that have to be handed in the next day.
Somehow though, my inner brat rebelled at all the "write it down" efficiency and had a tantrum last night and today - hence the last minute post.
This week's prompt was to think about some of our favourite lines of poetry, and possibly let one of them be the inspiration for a poem of our own.
Well, the lines I like are generally ones that take me by surprise. The ones where I am jerked into a totally different viewpoint of things.
Lines like "the sun is warm like a blue oboe" (John Dickson), and another of his lines, "perhaps a patch of blue sky will lose its way", which I mentioned a few weeks earlier in my post on synaesthesia.
Or how about "One day when the planet was idly/pressing stegosaurs in her scrapbook.." (Sarah Lindsay - "Mount Clutter")
Then there is Laura Kasischke who started a poem "Dear Earth" with the line "This is a love note from the sky"
And Olena Kalytiak Davis whose poem "In Defense of Marriage" is full of wonderful lines:
"Marry the fenceless moon and the defenceless sky"
"her body from a bone/ and her soul out of nothing"
and the ending
"I married the way moths marry./ I married hard"
As for letting one of these inspire my own writing, well firstly as I said I've been lazy over the past couple of days. And secondly, I feel that these lines are too distinctive to use easily. Although perhaps the one about the blue sky, or the body from a bone?
I read an article about collage materials which described some images - certain papers or rubber stamps - as "strongly determined". In other words, when you try and incorporate them in a composition, they retain their distinctive character, which makes it hard to use them in a new and original way. I think my favourite lines of poetry are like that. They inspire me in a very indirect way - they provide me with rich examples of wonderful writing, but I don't try and use them directly. I'm more likely to jump off at a tangent - a poem which includes the word "dream" for example might set me thinking of a dream memory of my own which is totally different to the content of the poem.
So, no poem inspired by the prompt today. But I did want to include a poem, so here is one on a previous topic (food). I'm losing track of which poems I've posted already. I could I suppose check through my list of previous posts. But I'm not going to do that, I'll just take my chances. This sonnet inspired by eggs is part of a set of "Kitchen Sonnets" of which I'm pretty sure I've posted one other.
Kitchen Sonnets 1.
“Cream the butter and sugar”, as if by beating
hard enough we could reverse time,
return it to what it once was.
“Add the eggs”. Medieval painters
would grind their pigments for hours,
bind them with egg yolk, mix it with water.
It was Irina who told me this. How
the holy icons, the flowing robes, the shine
on the faces of the saints were built up
with layer on layer of thin transparent glaze.
I am thinking of her as I crack the shells
on the side of the bowl, let the yolks fall
like heavy haloes, one, two, three,
giving themselves up for the cake.
The offspring each get one night a week to cook, and a couple of turns on dishes. But I get to do the dishes on the nights that no one wanted. That leaves me with all of Sunday - their excuses being that they are generally working on last minute assignments that have to be handed in the next day.
Somehow though, my inner brat rebelled at all the "write it down" efficiency and had a tantrum last night and today - hence the last minute post.
This week's prompt was to think about some of our favourite lines of poetry, and possibly let one of them be the inspiration for a poem of our own.
Well, the lines I like are generally ones that take me by surprise. The ones where I am jerked into a totally different viewpoint of things.
Lines like "the sun is warm like a blue oboe" (John Dickson), and another of his lines, "perhaps a patch of blue sky will lose its way", which I mentioned a few weeks earlier in my post on synaesthesia.
Or how about "One day when the planet was idly/pressing stegosaurs in her scrapbook.." (Sarah Lindsay - "Mount Clutter")
Then there is Laura Kasischke who started a poem "Dear Earth" with the line "This is a love note from the sky"
And Olena Kalytiak Davis whose poem "In Defense of Marriage" is full of wonderful lines:
"Marry the fenceless moon and the defenceless sky"
"her body from a bone/ and her soul out of nothing"
and the ending
"I married the way moths marry./ I married hard"
As for letting one of these inspire my own writing, well firstly as I said I've been lazy over the past couple of days. And secondly, I feel that these lines are too distinctive to use easily. Although perhaps the one about the blue sky, or the body from a bone?
I read an article about collage materials which described some images - certain papers or rubber stamps - as "strongly determined". In other words, when you try and incorporate them in a composition, they retain their distinctive character, which makes it hard to use them in a new and original way. I think my favourite lines of poetry are like that. They inspire me in a very indirect way - they provide me with rich examples of wonderful writing, but I don't try and use them directly. I'm more likely to jump off at a tangent - a poem which includes the word "dream" for example might set me thinking of a dream memory of my own which is totally different to the content of the poem.
So, no poem inspired by the prompt today. But I did want to include a poem, so here is one on a previous topic (food). I'm losing track of which poems I've posted already. I could I suppose check through my list of previous posts. But I'm not going to do that, I'll just take my chances. This sonnet inspired by eggs is part of a set of "Kitchen Sonnets" of which I'm pretty sure I've posted one other.
Kitchen Sonnets 1.
“Cream the butter and sugar”, as if by beating
hard enough we could reverse time,
return it to what it once was.
“Add the eggs”. Medieval painters
would grind their pigments for hours,
bind them with egg yolk, mix it with water.
It was Irina who told me this. How
the holy icons, the flowing robes, the shine
on the faces of the saints were built up
with layer on layer of thin transparent glaze.
I am thinking of her as I crack the shells
on the side of the bowl, let the yolks fall
like heavy haloes, one, two, three,
giving themselves up for the cake.
Wednesday, November 01, 2006
Do You Want to Move to New Zealand?
I've been following Tia's blog as she made a much-anticipated move to New Zealand - unfortunately having to leave for the meantime her partner Bruce who stayed behind in the US to sell their house. Spare a thought for Tia, she has been having a hard time settling in. some aspects of life here are not as she anticipated. As she is without internet I read Bruce's blog as well to catch up, and found this post detailing some of the negative aspects of life in New Zealand.
Of course I got all defensive (and then felt guilty about getting defensive :) ). Of course we'd all like to think our countries are wonderful. And I think secretly we like to think we are better than the United States, for all sorts of reasons (maybe because the US is so big and overwhelming? - like the cool kids in school, everybody else secretly resents them).
But I have to say, most of the criticisms are true. The biggest one being that our houses are badly heated and wildly expensive. The reason that they are wildly expensive is immigration. So many people wanted to come to New Zealand, or return home, that there was a big demand for housing, and prices have skyrocketed over the past few years. I've seen graphs of house prices compared to immigration levels, and they clearly go hand in hand. So if everybody stops coming because of the high costs here, I'll be pretty glad - not because I think you're unwelcome, but because I have four adult children still at home, and I'd like them to be able to afford to move out! The other factor is that when you bring your American dollars here, you'll find the exchange rate is not very favourable at the moment. And that's because of high immigration as well. The chief weapon in the fight against inflation is to keep interest rates up, which is supposed to keep demand for housing down. Unfortunately it means all those overseas investors put money into New Zealand to take advantage of the high interest rates, and that keeps demand for our currency up. (A few years back, one American dollar was worth nearly 170% of what it's worth now, in New Zealand dollars).
So, don't come, OK? Then house prices will settle down. Our dollar will go down, the company I work for (an exporter) won't go bankrupt, we will raise the standard of heating in our houses, catch up with the rest of the world for internet access, and then you can sneak in, in a few years time, and get a nice, reasonably priced house, before everyone else catches on to the fact that New Zealand has become affordable again.
Of course if you are Shania Twain you can afford to buy a large chunk of our back country and build a fabulous house any time you want, high prices and all.
P.S. As for some of the other points -1) I was walking barefoot on the Rapaki track the other day, no broken bottles or other trash in sight although there were thistles.
2) Recycling - it depends where you are, we have kerbside recycling in Christchurch, we certainly don't have to transport it ourselves. (Though it's hard to recycle economically in a small country. It's a bit pointless to recycle if the energy costs of transporting the goods are more than the energy saved by recycling).
3) It probably doesn't actually occur to most New Zealanders that internet is expensive here - basically because if you haven't had it, you don't miss it. We e-mail of course, and blog, and even work over the internet - but we don't make long video calls for hours, or download lots of movies - we hire them from the video store. In most parts of New Zealand it should be quite possible to get good enough internet access to work from home.
4) Petty crime running rampant - yes, possibly. It's hard for me to judge. But I think part of the issue is that New Zealand isn't really big enough to have ghettoes. Criminals tend to operate near where they live, but in New Zealand we don't have big safe rich enclaves. So crime is spread out through more of the community.
I could debate this for hours - to sum it up, I love where I live, it's not perfect, but nor is anywhere - check the facts before you come (real estate agents have websites, you can check housing costs before you decide)
Of course I got all defensive (and then felt guilty about getting defensive :) ). Of course we'd all like to think our countries are wonderful. And I think secretly we like to think we are better than the United States, for all sorts of reasons (maybe because the US is so big and overwhelming? - like the cool kids in school, everybody else secretly resents them).
But I have to say, most of the criticisms are true. The biggest one being that our houses are badly heated and wildly expensive. The reason that they are wildly expensive is immigration. So many people wanted to come to New Zealand, or return home, that there was a big demand for housing, and prices have skyrocketed over the past few years. I've seen graphs of house prices compared to immigration levels, and they clearly go hand in hand. So if everybody stops coming because of the high costs here, I'll be pretty glad - not because I think you're unwelcome, but because I have four adult children still at home, and I'd like them to be able to afford to move out! The other factor is that when you bring your American dollars here, you'll find the exchange rate is not very favourable at the moment. And that's because of high immigration as well. The chief weapon in the fight against inflation is to keep interest rates up, which is supposed to keep demand for housing down. Unfortunately it means all those overseas investors put money into New Zealand to take advantage of the high interest rates, and that keeps demand for our currency up. (A few years back, one American dollar was worth nearly 170% of what it's worth now, in New Zealand dollars).
So, don't come, OK? Then house prices will settle down. Our dollar will go down, the company I work for (an exporter) won't go bankrupt, we will raise the standard of heating in our houses, catch up with the rest of the world for internet access, and then you can sneak in, in a few years time, and get a nice, reasonably priced house, before everyone else catches on to the fact that New Zealand has become affordable again.
Of course if you are Shania Twain you can afford to buy a large chunk of our back country and build a fabulous house any time you want, high prices and all.
P.S. As for some of the other points -1) I was walking barefoot on the Rapaki track the other day, no broken bottles or other trash in sight although there were thistles.
2) Recycling - it depends where you are, we have kerbside recycling in Christchurch, we certainly don't have to transport it ourselves. (Though it's hard to recycle economically in a small country. It's a bit pointless to recycle if the energy costs of transporting the goods are more than the energy saved by recycling).
3) It probably doesn't actually occur to most New Zealanders that internet is expensive here - basically because if you haven't had it, you don't miss it. We e-mail of course, and blog, and even work over the internet - but we don't make long video calls for hours, or download lots of movies - we hire them from the video store. In most parts of New Zealand it should be quite possible to get good enough internet access to work from home.
4) Petty crime running rampant - yes, possibly. It's hard for me to judge. But I think part of the issue is that New Zealand isn't really big enough to have ghettoes. Criminals tend to operate near where they live, but in New Zealand we don't have big safe rich enclaves. So crime is spread out through more of the community.
I could debate this for hours - to sum it up, I love where I live, it's not perfect, but nor is anywhere - check the facts before you come (real estate agents have websites, you can check housing costs before you decide)
Tuesday, October 31, 2006
Haiku: The Unseen
hidden deep in the centre
next season's flowers
shadows on grass
darkness shapes forms of
absence of sunlight
from my computer -
invisible signals link
to the worldwide web
More haiku on "the unseen" at onedeepbreath
Labels:
haiku,
One Deep Breath
Monday, October 30, 2006
The View from the Top
As planned, I walked right up to the top of the hill yesterday. That is, up the Rapaki track which is a 4.2 km long graded farm track (and another 4.2 km back down, of course). It is one of the easier tracks up to the Summit Road, which winds it way round the summit of the Crater Rim - Banks Peninsula consisting largely of two very extinct volcanoes. Lyttleton Harbour is the harbour for Christchurch and it is situated in the crater of one of the extinct volcanoes, the other is Akaroa Harbour, a pretty little town frequented mostly by tourists.
When I walk up here I think sometimes of the early English pioneer women, who climbed up the hill from Lyttelton in their long skirts, hoops and corsets to see their new home from the top - a large flat swamp. Some of them must have felt very disappointed. Especially since two Scots brothers had arrived before them and claimed the best bits of land. Nevertheless the pioneers proceeded to drain the swamp and build what is now the large (by New Zealand standards) city of Christchurch.
This is a part of Lyttelton harbour from the summit, showing the small settlement of Rapaki, which was in earlier days a Maori village. (There is still a marae there). The town of Lyttelton is out of sight, below the hill to the left.
Looking back down the side I had come from, towards the estuary. The ponds are a large wildlife reserve - ummm - sewage oxidation ponds -ummm - wildlife reserve sounds better, don't you think?
Both the road and the walkway continue round the summit. The trees are New Zealand cabbage tree (Maori name ti tree).
This was taken when I was nearly back down to the beginning of the track, showing the city of Christchurch. In the centre of the photo is a fairly prominent straight road. My house is about a block and a half to the right of that road, in the green area (close up, it doesn't look quite so green - there are plenty of houses hidden by the trees).
When I walk up here I think sometimes of the early English pioneer women, who climbed up the hill from Lyttelton in their long skirts, hoops and corsets to see their new home from the top - a large flat swamp. Some of them must have felt very disappointed. Especially since two Scots brothers had arrived before them and claimed the best bits of land. Nevertheless the pioneers proceeded to drain the swamp and build what is now the large (by New Zealand standards) city of Christchurch.
This is a part of Lyttelton harbour from the summit, showing the small settlement of Rapaki, which was in earlier days a Maori village. (There is still a marae there). The town of Lyttelton is out of sight, below the hill to the left.
Looking back down the side I had come from, towards the estuary. The ponds are a large wildlife reserve - ummm - sewage oxidation ponds -ummm - wildlife reserve sounds better, don't you think?
Both the road and the walkway continue round the summit. The trees are New Zealand cabbage tree (Maori name ti tree).
This was taken when I was nearly back down to the beginning of the track, showing the city of Christchurch. In the centre of the photo is a fairly prominent straight road. My house is about a block and a half to the right of that road, in the green area (close up, it doesn't look quite so green - there are plenty of houses hidden by the trees).
Sunday, October 29, 2006
Sunday Scribblings: Bedtime Stories
I decided that it was time to face facts and go on a diet. I've decided this before, but I seem to be sticking to it this time. So far I've lost nearly 5 kilograms (11 pounds), and I feel prepared to keep on with a healthier way of eating and exercising for a year if that's what it takes to get to where I want to be. I've made the same decision before, but I've deluded myself. If I "cut back", I thought, I'll lose weight. If I don't buy that chocolate bar, I can still have dessert. I can have biscuits with my morning tea, if I don't nibble while I'm getting dinner. It didn't work. If I ate one, it was too tempting to have two, and the weight loss was so slow that it bored me. The truth is less palatable but in some ways easier. It's not a matter of "cutting back" a little, big changes are needed.
Lately I've been seeing the same sort of story in relation to another area. It's a comforting story, suitable for bedtime, because it won't disturb our sleep too much. It's about global warming. If we all cut back a little, it's suggested, we can do our bit to save the planet. Plan to do all your errands in one trip and save one car journey a week. Walk a few blocks if your journey is short. Put on an extra jersey before you turn the heating up. I can't help feeling this is going to be as successful as my earlier attempts at dieting. "Cutting back" just isn't enough. After all, petrol is expensive. I do all these things anyway, to save money. Whenever we have a winter where electricity is short, because our hydro lakes are at low levels, the same tired suggestions are trotted out - keep the lids on the pots when they are boiling, insulate your hot water cylinder, turn off the lights when you leave the room - and I think "don't they know we do all that already?"
The problem is self-interest. At least when I change my diet, I know that I will see the benefit of giving up chocolate. I give up chocolate (and other sweet, fatty foods) and I get thinner - even if everyone around me is still eating these things and still overweight. But what are the big changes I can make to prevent global warming? I could give up my car completely. Using public transport would cost me an extra hour or two in travel a day, and I would save little money (I know, I've calculated it). I could give up overseas travel. Others around me flit off for a weekend in Australia here and there - shopping in Sydney, or sun on the Gold Coast. I've looked forward all my life to one big trip to the UK, and it looks as if it will finally happen. I could refuse to go, but it won't change the number of flights the airlines make, if I'm the only one who makes the decision. I could sacrifice hugely for no overall benefit. I'm only likely to make changes in one of two circumstances: firstly, if I really believe that enough other people are making the same changes, and secondly (and more importantly) if I can see a short-term benefit for myself. If petrol was expensive enough, and public transport convenient enough, I might give up my car, for instance, to save money.
But it's not, so for the moment I do little. And I try and believe those comforting bedtime stories - to believe that when I walk a few blocks, or combine several errands in one trip, I really do make enough of a difference.
More Sunday Scribblings here
Lately I've been seeing the same sort of story in relation to another area. It's a comforting story, suitable for bedtime, because it won't disturb our sleep too much. It's about global warming. If we all cut back a little, it's suggested, we can do our bit to save the planet. Plan to do all your errands in one trip and save one car journey a week. Walk a few blocks if your journey is short. Put on an extra jersey before you turn the heating up. I can't help feeling this is going to be as successful as my earlier attempts at dieting. "Cutting back" just isn't enough. After all, petrol is expensive. I do all these things anyway, to save money. Whenever we have a winter where electricity is short, because our hydro lakes are at low levels, the same tired suggestions are trotted out - keep the lids on the pots when they are boiling, insulate your hot water cylinder, turn off the lights when you leave the room - and I think "don't they know we do all that already?"
The problem is self-interest. At least when I change my diet, I know that I will see the benefit of giving up chocolate. I give up chocolate (and other sweet, fatty foods) and I get thinner - even if everyone around me is still eating these things and still overweight. But what are the big changes I can make to prevent global warming? I could give up my car completely. Using public transport would cost me an extra hour or two in travel a day, and I would save little money (I know, I've calculated it). I could give up overseas travel. Others around me flit off for a weekend in Australia here and there - shopping in Sydney, or sun on the Gold Coast. I've looked forward all my life to one big trip to the UK, and it looks as if it will finally happen. I could refuse to go, but it won't change the number of flights the airlines make, if I'm the only one who makes the decision. I could sacrifice hugely for no overall benefit. I'm only likely to make changes in one of two circumstances: firstly, if I really believe that enough other people are making the same changes, and secondly (and more importantly) if I can see a short-term benefit for myself. If petrol was expensive enough, and public transport convenient enough, I might give up my car, for instance, to save money.
But it's not, so for the moment I do little. And I try and believe those comforting bedtime stories - to believe that when I walk a few blocks, or combine several errands in one trip, I really do make enough of a difference.
More Sunday Scribblings here
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