I was rather disappointed by this book. In my searches for an author from Benin, Bhêly-Quenum's name was the one that consistently came up. I was able to read an early short story of his, "A Child in the Bush of Ghosts" in an anthology of supernatural stories, "The Weird" in our local library. It seemed promising, but as I wanted more than a short story, I ordered his novel, recently released in English translation.
It turned out to be very different to the short story. From the first chapters, it was weighed down in turgid writing, full of jargon and not seeming to make much sense. Since it is concerned with the rise of neo-colonialism, and capitalist exploitation of a newly independent Africa, it would make sense for certain of the characters - the politicians and exploiters - to use some degree of "political speak". But it seemed as if the whole novel was drenched in such language, even in the mouths of characters for whom it made little sense. This made the novel very difficult to read, although in the final few chapters, where the tension between the characters is increasing and plot lines come to a head, it seemed to improve somewhat.
The novel concerns Dorcas Keurleonan-Moricet, a white geophysicist from France, posted on assignment in Africa. Her husband also works there in international development. However their marriage is disintegrating, and Dorcas meets and falls in love with a young African man. At the same time, she has discovered mineral deposits of great value. The novel raises issues of the exploitation of Africa's gold, oil and other resources by Western nations, and of the corruption of African politics.
There are questions of value raised in the novel, but I wish it had been heavily edited and made a good deal easier to read. I felt as if the didactic purpose of the book had somewhat taken over from the literary value of the story.
Olympe Bhêly-Quenum was born in 1928 in Dahomey (now Benin). His mother was a priestess of Beninois vodun. At the age of twenty he travelled to France and was educated there, where his first novel was published in 1960, and translated into English as "Snares Without End" in 1966. He has since worked in diplomacy and journalism with a strong interest in African affairs.
This novel supposedly "caps the career of one of Africa's major authors" (foreword). I suspect that I would have preferred one of his earlier works where the language may perhaps have been more straightforward, more like his short story.
As She Was Discovering Tigony was translated by Tomi Adeaga and published by Michigan State University Press in 1917.
Saturday, August 12, 2017
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