Thursday, November 09, 2006

How to Publish a Book

I am not following the prompt for Poetry Thursday this week, which was to take an "Artist date" : I did in fact take an artist date but didn't want to commit myself to writing about it afterwards, like a school report.

Carrying on from a discussion on Poet Mom's blog, I thought I would tell you about our small poetry group and how we applied for a grant and published a book of poems. And yes, there is a poem at the bottom of the post - you can skip to that if you prefer.

The grant application process is probably similar in the United States than in New Zealand, though I imagine there are a lot more alternatives there to apply for. I can't tell you how to find grant providers in the US - in New Zealand the main national funding agency for the arts is Creative New Zealand, whereas for more local projects there is Creative Communities - the same funding provider but with some of the responsibility delegated to local bodies. This is the one we applied to.

The most important thing with a grant application is to read the guidelines, and come up with a proposal that fits the guidelines. Our project wasn't limited to publishing a book of our poetry. It involved getting an experienced poet to mentor the group, provide workshops and edit the manuscript - thus providing income for her, and growth in our field of the arts for us. We had to set out our budget carefully, showing what part of the budget would come from ourselves (or from sales) and what the money would be spent on. And of course, report back when the project was completed.

We couldn't have done this in isolation. The poetry scene in New Zealand is rather small. We attended the same workshops (that is how the group got started, I asked people I met in workshops who I felt I "clicked" with to join me). We attended poetry readings of the Canterbury Poets Collective. This is not as "communist" as it sounds! - merely a local committee which organises readings with invited poets from around New Zealand and an "open mic" first half. There are really only two regular open mic venues in Christchurch - this one which is for reading poetry, and an alternative mostly younger group which is more into performance poetry - the whole "poetry slam" type of scene. Similarly there are two main locally edited magazines for poetry and prose - the more conservative Takahe and the more hip Catalyst. There are others nationwide, of course, but not many compared to say the USA.

By attending readings, submitting poems to journals, and working on committees of various kinds (not all of us, but different members of the group in different capacities) we got to know most of the established local poets. Hence it was easy to find people to write recommendations on our application for funding. There is no particular magic about grant applications - it is really a matter of reading the guidelines and making sure your application fits (and of course, getting it in by the due date).

Once we had the funding it took not quite a year to get the book out - first workshops, then choosing the poems, selecting and editing. We commissioned a student artist to do a drawing for the cover design. One of the group's husbands did the back cover photo. My own husband did the layout using Adobe InDesign. We talked to a local printer who specialises in short run digital printing of books and magazines. They have a very helpful booklet detailing the requirements for formatting of files. I wouldn't hesitate to use the same printer again as they were so helpful. We decided on a print run (200 copies - rather nervously in case we had a lot left over, but it would be dearer to have two print runs of 100 copies at a time). We set a price.

With the books at the printer I went away on holiday and let others in the group organise the book launch. We hooked onto a local book festival which meant we were able to get a venue free, and bought wine, juice and made sandwiches, mini muffins etc for the catering. We sent out invitations to the mailing list of the Poets Collective, and also to friends and relatives, as well as advertising in the book festival programme. We invited a local poet to be MC - he did a splendid job - and we each read a couple of our poems. We signed lots of copies! We were also invited to read on a local access radio station, as part of their books segment of Women on Air.

We sent out a lot of review copies, and we also obtained a list of all the libraries in New Zealand, and sent out an advertising flyer to them. (There are about 4 million people in New Zealand. In the US I would be thinking statewide, or perhaps concentrating on a smaller area in some of the more populous states). We also had a few small independent bookstores stock the book. This came in handy when friends on international e-mail lists wanted to buy a copy, as they were able to order on line by credit card and we didn't have to deal with foreign currency.

That's about it - we had a lot of fun and are set to do it again next year, if our grant application is successful. In fact as we have some money left from the last book, I think we could just about afford to do it without a grant if we raise the price a little. I do think "self publishing" is different from vanity publishing - the latter to my mind being where you pay a publisher a large sum to publish your book, and eventually end up with a large pile of books and a hole in your pocket. With self-publishing there is a realistic expectation of making a profit. It is far easier in New Zealand to self publish poetry, as it is a fairly uneconomic genre for most publishers to take on any but the most well-known poets - even then, there is usually a grant involved to subsidise the costs.

As I promised a poem at the end of the post, here is one from the book:

Songs and Dances of Death

What they did not know was that the curious fertility of the soil came about because they stood on an ancient battlefield. Sometimes they would turn up old bones and once, a skull. They took it to the priest for burial and returned to their ploughing. At night they told the old stories. If you had asked “Can’t you hear the dead crying out?” they would say “It’s only the wind in the wheat”

*


All summer I read of these things.
In my garden the weeds grew lank.
It rained often. On the path
I could barely make out a small bundle of feathers
and bones

*


In the museum there is a dark blue velvet
cloth. It has covered many at their burials.
As well seek them in the night sky as here
their trace as faint

*


It is because of their deaths that we have come

*


this poem is not a sarcophagus
this poem is not a mausoleum
this poem is a brown cardboard box
sufficient to bury one dead blackbird
found on my garden path

15 comments:

Endment said...

So - have I missed something?
How do I buy the book?

ren.kat said...

I would also be interested in the anthology. The women's listserv I've been on for nearly ten years is just finishing up the first anthology (we got help from an established publisher after they heard what we were doing). Did you have editors at all? How was the work chosen? Living now in a country of 4 million, but having lived in the US before- I think it's about the same issue: you're right to compare to a state-wide sales base, not nationwide- at least for poetry and non-genre prose. Anyway- thanks for the insight and congratualations on the grassroots project!

Star said...

This was so interesting to read. Thanks for taking the time to share how the process worked for your group. I strayed just off the beaten path this week for PT also.

Left-handed Trees... said...

Congratulations on this success--the process was very interesting to me! The poem, too, turned on those final lines and surprised me. Very nice...

January said...

Yes, thanks for posting your grant experience. Your process is similar to our state grant process. Unfortunately, there is so much competition for grants that they can be tough to get. But a good project can always find money.

And I loved the poem--the last staza really sticks with me.

Dana said...

This is really interesting. I echo what everyone else said about being interested in the book.

Deb R said...

That was fascinating to read about your group's journey toward publication, Catherine. And I like the poem very much, especially the ending.

I like the photos you posted yesterday too - lovely!!

OldOldLady Of The Hills said...

Wonderful story and a BEAUTIFUL Poem! That is a very inspiring story and gives one hope about the Self-Publishing thing...! I hopoe the coming book is even more successful than the first, my dear!

Here from Michele's tonight!

Juggling Mother said...

Well done for going through the whole process & getting the book published.

here from michele today

paris parfait said...

The poetry is lovely and the account of your poetry group and its endeavours fascinating. Thank you for sharing your story. Best of luck with the next project!

Carmi said...

Thank you so much for explaining in such detail how you navigated the grant process. You've helped writers everywhere with your generosity of spirit.

Popped by from Michele's today. Hope you're having a lovely day!

dave said...

Good to read, dropped in from Michele's this evening.

barbie2be said...

sounds like a lot of work... michele sent me.

twilightspider said...

What a wonderful idea, you should be proud to have followed through and to have done so so successfully. I absolutely LOVE the poem, it just spoke to me in so many ways.

Jane Poe (aka Deborah) said...

Congratulations on a successful grant application and publishing endeavour ... brilliant! Love the poem... from the macro down to the smallness of one dead bird. Well done that. cheers, JP